Tag Archives: black poet

Black History- poems about your body. Waring Cuney- No images.

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Black History Month- poems about your body.

She does not know
her beauty,
she thinks her brown body
has no glory.

If she could dance
naked
under palm trees
and see her image in the river,
she would know.

But there are no palm trees
on the street,
and dish water gives back
no images.

Waring Cuney- No images.

“He is best known for his poem “No Images”, which won first prize in the 1926 Opportunity poetry contest. The poem was later used by jazz singer/pianist/songwriter Nina Simone on her 1966 album Let It All Out.”

“William Waring Cuney, “No images” from Storefront Church, published in 1973 by Paul Breman Limited. After exhaustive efforts have been made to identify and contact a rights holder, this material is believed to be in the public domain.”

http://www.youtube.com/watch?v=u6vZwsJu7co

http://www.poetryfoundation.org/bio/william-waring-cuney

http://www.aaregistry.org/historic_events/view/waring-cuney-poet-harlem-rennissance

 

“He is the consummate artist when it comes to drawing vivid sketches of character with brevity and clarity of words. Cuney, as he was better known among his contemporaries, is often referred to either as one of the minor poets of the Harlem Renaissance or one of the “second echelon” poets of the New Negro Movement. However, among his contemporaries he was considered one of the favorites of the Renaissance group.”

 

Black History– poems about the body and freedom. This one is by Weldon J. Irvine.

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Black History– poems about the body and freedom. This one is by Weldon J. Irvine.

Young, gifted, and black
Oh what a lovely precious dream.
To be young, gifted, and black
Open your heart to what I mean.
In the whole world you know
There’s a million boys and girls
Who are young, gifted, and black
And that’s a fact!

You are young, gifted, and black
We must begin to tell our young,
“There’s a world waiting for you.
Yours is the quest that’s just begun.
When you’re feeling real low
There’s a great truth that you should know
When you’re young, gifted, and black
Your soul’s intact!”

Ah to be young, gifted, and black
Oh how I’ve longed to know the truth.
There are times when I look back
And I am haunted by my youth.
But my joy of today
Is that we can all be proud to say,
“To be young, gifted, and black
Is where it’s at! Is where it’s at! Is where it’s at!”

 http://www.youtube.com/watch?v=h3OIfuVpocU&feature=kp

Nina Simone’s rendition.

 

The Tropics of New York by Claude McKay in 2014 Black History Month’s last days.

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For love of all hot dusty roads, and our childhood memories, The Tropics of New York by Claude McKay in 2014 Black History Month’s last days. Thinking of Jamaica.

Bananas ripe and green, and ginger root
Cocoa in pods and alligator pears,
And tangerines and mangoes and grape fruit,
Fit for the highest prize at parish fairs,

Sat in the window, bringing memories
of fruit-trees laden by low-singing rills,
And dewy dawns, and mystical skies
In benediction over nun-like hills.

My eyes grow dim, and I could no more gaze;
A wave of longing through my body swept,
And, hungry for the old, familiar ways
I turned aside and bowed my head and wept.

I am a Black Woman, Tall as a Cypress- Mari Evans. Black History Month.

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I am a Black Woman

I am a black woman
the music of my song
some sweet arpeggio of tears
is written in a minor key
and I
can be heard humming in the night
Can be heard
humming
in the night

I saw my mate leap screaming to the sea
and I/with these hands/cupped the lifebreath
from my issue in the canebrake
I lost Nat’s swinging body in a rain of tears
and heard my son scream all the way from Anzio
for Peace he never knew….I
learned Da Nang and Pork Chop Hill
in anguish
Now my nostrils know the gas
and these trigger tire/d fingers
seek the softness in my warrior’s beard

I am a black woman
tall as a cypress
strong
beyond all definition still
defying place
and time
and circumstance
assailed
impervious
indestructible
Look
on me and be
renewed

 

Black History Month- poetry. The Source of the Singing by Marilyn Nelson Waniek

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The Source of the Singing

[…]
Under everything this movement,
stars and wind circle around the smaller
circles of the grass, and the birds caged
in the kitchen sing it over and over,
inexplicably in their sweet chirps.

I feel it like sometimes like today
somewhere in my torso, perhaps
sweet in the belly; this must be
what carrying a child is like.
I sit at the table and feel something
move with the pain of just before tears.
What is it the body says to me,
these tender aches that make me glad?
Not even one syllable is clear,
but if you were near I would tell you,
and you might lay your hand where the talking
starts and the pain, where my life
is still moving[…]
and push your warmth into mine,
here, into the source of singing.

Marilyn Nelson Waniek

Black History Month- poetry.

Black History Month- poetry. Whispers in the Country Church by Alvin Aubert

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alvinaubert    Screen Shot 2014-02-25 at 5.26.01 PM

Photos by: unknown and from corridors magazine.org

Alvin_&__Eugene

Photo by JMU Media Services

Whispers in a Country Church.

Who’s that dark woman
Sittin’ next to the preacher
Eyeing at his feet?
Lord, look at her.
Red hat.
Flowers.
Perfume you can smell
From here.
Look. Making a move.
Asking for water.
Clumsy thing–
All over his
Brand new shoes.
Just what she wanted.
Bending down that way,
Wonder that dress don’t split.
Pretty hair though.
Got to give her that.

by Alvin Aubert.

Black History Month- poetry, 2014.

AUBERT, ALVIN BERNARD Born March 12, 1930 in Lutcher, Louisiana, passed away on January 7, 2014.

Black History Month- poetry: Everett Hoagland, ‘the Anti-Semanticist.’

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honeystain…
the rhetoricians of blackness
matters me not
we are black
and you are beautiful

it matters me not whether
your breast are American pumpkin or
African gourds
they are full and you are beautiful

it matters me not be your belly
black or brown
it is soft and you are beautiful

it matters me not be your buttocks
bourgeois or “grass roots”
they are good
and you are beautiful

it matters me not if your bread loaf
thighs are Negro or Afro-American
they are round and so ripe
and you are so beautiful

it matters not whether it is
Victoria falls within your orgasms
instead of Niagara

there is little definition I need
indeed
it matters only that there is
black power
in your loving

this I know
you are beautiful
you are beautiful beyond reference
you are the night interpreted
you are
you…

Everett Hoagland ‘the Anti-Semanticist’

Black History Month

I know why the caged bird sings. Paul Dunbar and Maya Angelou.

Aside

paul_laurence_dunbar_1 600full-maya-angelou

I know why the caged bird sings”. A line by Paul Dunbar that inspired Maya Angelou.

Sympathy

by Paul Laurence Dunbar

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!

The above poem was published in Lyrics of the Hearthside by Dodd, Mead and Company in 1899.
~~
This is the poem that inspired Maya Angelou’s poem.

© Paul Laurence Dunbar. All rights reserved

 

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

Maya Angelou

ONE FOR ALL NEWBORNS By Thylias Moss

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ONE FOR ALL NEWBORNS
By Thylias Moss

They kick and flail like crabs on their backs.
Parents outside the nursery window do not believe
they might raise assassins or thieves, at the very worst.
a poet or obscure jazz Musician whose politics
spill loudly from his horn.
Everything about it was wonderful, the method
of conception, the gestation, the womb opening
in perfect analogy to the mind’s expansion.

[…]

Nikki Giovanni ”The Butterfly- hat tip Kim Crosby.

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“those things
which yo so laughingly call
hands are in fact two
brown butterflies fluttering
across the pleasure
they give my body”

.
— Nikki Giovanni ”The Butterfly

 

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.

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Black* Transwoman to Black Cis/Transman: An Open Letter/Poem for Trayvon and the Rest of Us

07/14/13

By KOKUMO

ATTENTION WORLD:

I, LOVE, BLACK* MEN.

From the drug dealers, heart surgeons, stuck at rock bottom, ten years sober, servin’ a dime to life, ex-con turned youth-minister, trans*, gay, D.L., paraplegic, Olympic gold-medal winnin’, current U.S. presidency presidin’, illiterate, artistic, broke as a joke, ballin’, dark-skindid, light-skindid, country-bama, Brooklyn-bred, OG, GD, Rasta bombaclot, to the European transplant and etc.

And no matter how many Jim Crow laws you revise, nothin’ can change that. I grew up with black* men. I’ve fought with black* men. And black* men have fought, for me. Hell, I was supposed to be, a black*, man. I’ve been insulted by black* men. I’ve been consoled by black* men. I’ve been schooled, had my socks knocked off, and mind blown by black* men. I’ve loved black* men, and had the privilege of having them love me back.

Therefore I KNOW BETTER. Black* men are human. They come complete with contributions as well as flaws. And black* men have a seemingly generational immortal dream to live. Therefore I KNOW BETTER than to believe you when say they deserve to die. Therefore I KNOW BETTER than to believe your propaganda. Therefore, I won’t.

ATTENTION BLACK MEN:

Black* transwoman to black* cis/trans* man. I revere and respect you for living brave in a world that hunts you with hypocritical indignation. I thank you for living in the body I couldn’t and doing it with such swag, intellect, and a vengeance.

As a black* transwoman I want you to know that I never abandoned you or took the easy way out. A war was waged on black* bodies the moment the first slave touched Virginian soil in the 1600′s. So I transitioned from “male” to “female” because I just needed to be in more comfortable battle fatigues.

ATTENTION BLACK* COMMUNITIES:

Trayvon Martin was my little brother, Emmitt Till, my North Carolina sharecropper forefathers, and me before I transitioned. Young, black*, male-bodied, and trying to figure out why my body owes the world an apology. Black* communities across the world, please hear me. Before I knew what trans* meant, I knew how black* felt. Non-LGBT black* people I beg of you. Discard your fear and join forces with your LGBT black* siblings. Because everyday we lose more and more of our sons. Ase.

All work published on BGD is the intellectual property of its writers. Please do not republish anything from this site without express written permission from BGD. Yes, linking to this post on Facebook and Twitter or elsewhere is okay.

KOKUMỌ is an African-American transgender woman and product of Chicago’s South Side. To KOKUMỌ surviving is passé. Therefore, she believes in sanctioning artistic, political, and actual space for other Trans, Gender Non-Conforming, and Intersex (TGI) people of color to thrive in. In accordance to this belief and her name, she created KOKUMỌMEDIA. KOKUMỌMEDIA uses film, music, and literature to create and generate realistic depictions of TGI people of color.

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