“The trees were attitudes in black” #Snow Advent by Auslander #ChristmasEve #Wintersolstice #WinterWonderland

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Photos by Theresaurus.

Snow advent

The clouds were all brushed up and back
The wrong way by the wind;
The trees were attitudes in black;
The brooks were disciplined.

Then soft as spider on a shelf,
Or satin mouse at birth,
Or as a pigeon lends itself
Reluctantly to earth —

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No louder than a silken sound
Of the web’s silver wheel,
Spraying the darkness all around
With spokes of silken steel —

As soft and softer than all these
Parted the sky at noon;
And the air stood up league-deep in bees,
The white bees of the moon.

 

-Joseph Auslander in All the Silver Pennies

Velvet shoes by E. Wylie #christmasweek #winter #solstice

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Photo by Theresaurus.

No snow yet…But that silence after the first snow. The sounds suddenly different! The thick quiet blanket and little paw prints! I’m actually looking forward. That is a first for this Aruban exile.

Velvet Shoes

 

Let us walk in the white snow

In a soundless space;

With footsteps quiet and slow,

At a tranquil pace,

Under veils of white lace.

 

I shall go shod in silk,

And you in wool,

White as white cow’s milk,

More beautiful

Than the breast of a gull.

 

We shall walk through the still town

In a windless peace;

We shall step upon white down,

Upon silver fleece,

Upon softer than these.

 

We shall walk in velvet shoes:

Wherever we go

Silence will fall like dews

On white silence below.

We shall walk in the snow.

 

Elinor Wylie

#snow #haiku #wintersolstice Issa, Greig, Hashin!!!

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Photo by: unknown. Searched over 30 websites, no source.
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The snow is melting
and the village is flooded
with children.
Issa

 

Looking at the clouds
blue in the ice-wind
space flows.

Thomas Grieg

No sky
no earth- even so
snowflakes fall.

Hashin

E.J. Scovell Geese on the Park Water #CanadaReads

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Photographer unknown.

The Geese on the Park Water

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The Canada geese
Pose in the light and dark of ripples,
And in and out of narrow shadows
Pose, compose, improvising
Their endless eloquent line.

 

The Swan’s Feet

Who is this whose feet
Close on the water,
Like muscled leaves darker than ivy
Blown back and curved by unwearying wind?
They, that thrust back the water,
Softly crumple now and close, stream in his wake.

These dank weeds are also
Part and plumage of the magnolia-flowering swan.
He puts forth these too—
Leaves of ridged and bitter ivy
Sooted in towns, coal-bright with rain.
He is not moved by winds in air
Like the vain boats on the lake.

Lest you think him too a flower of parchment,
Scentless magnolia,
See his living feet under the water fanning.
In the leaves’ self blows the efficient wind
That opens and bends closed those leaves.

 

Edith Joy Scovell, called Joy, was born in Sheffield, South Yorkshire, in 1907 and she went up to Somerset College, the women’s college founded at Oxford University in 1879.

Scovell accompanied her husband, the distinguished Oxford ecologist and naturalist Charles Elton, to Central and South America and the West Indies as a recorder and field researcher.

#Wintersolstice Brittle World by Lew Sarett #snow

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Photo by Matt Anderson

Brittle World

Brittel the snow on the gables,
The sleet-hung pines, the night
Sprinkled with stars that quiver
Over the waste of white.

Fragile the earth in the moonlight,
The glassy sheet of lake;
If I tapped it with a hammer,
The brittle world would break.

Lew Sarett in All the Silver Pennies, ed. Blanche Jenning Thompson

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Photo by Daseger. “Witch House” or the Jonathan Corwin House in Salem.

Poetry foundation: “Poet, lecturer, and teacher Lew Sarett was born Lew Saretsky in Chicago to parents who immigrated from Poland and Lithuania.

He was educated at University of Michigan-Ann Arbor, Beloit College, Harvard Law School, and the University of Illinois Law School.

Sarett became interested in nature and American Indian culture and lore at an early age, and these interests are clearly reflected in his life and in his poetry.

[…] lived among the Chippewa Indians of the Lake Superior region, and was adopted by them and given the name Lone Caribou.”

Read more here at the Poetry Foundation!

Four Little Foxes
by Lew Sarett

Speak gently, Spring, and make no sudden sound
for in my windy valley yesterday I found
New born foxes squirming on the ground
Speak gently.

Walk softly, March, forbear the bitter blow,
Her feet within a trap, her blood upon the snow,
The four little foxes saw their mother go
Walk softly.

Go lightly, Spring, oh give them no alarm;
When I covered them with boughs to shelter them from harm
The thin blue foxes suckled at my arm
Go Lightly.

Step softly, March, with your rampant hurricane
Nuzzling one another and whimp’ring with pain,
The new little foxes are shiv’ring in the rain
Step softly.

E.J. Scovell The Days Fail #Baby #WinterSolstice #BlackLivesMatter

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Getty Images Canada, SelectStock
From The First Year

VII

The days fail: night broods over afternoon:
And at my child’s first drink beyond the night
Her skin is silver in the early light.
Sweet the grey morning and the raiders gone.

VIII

the baby in her blue night-jacket, propped on hands
With head raised, coming out to day, has half-way sloughed
The bed-clothes, as a sea-lion, as a mermaid
Half sloughs the sea, rooted in sea, basking on strands.

Like a gentle coastal creature she looks round
At one who comes and goes the far side of her bars;
Firm in her place and lapped by blankets; here like tides
Familiar rise and fall our care for her, our sounds.

E.J. Scovell

Buy the Faber Book of 20th Century Women’s Poetry, ed. Fleur Adcock, from an indie bookseller here.

 

Mary’s Song by Sylvia Plath #Wintersolstice #Shoah #Holocaust

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The Sunday lamb cracks in its fat.
The fat
Sacrifices its opacity. . . .A window, holy gold.
The fire makes it precious,
The same fireMelting the tallow heretics,
Ousting the Jews.
Their thick palls floatOver the cicatrix of Poland, burnt-out
Germany.
They do not die.Grey birds obsess my heart,
Mouth-ash, ash of eye.
They settle.  On the high

Precipice
That emptied one man into space
The ovens glowed like heavens, incandescent.

It is a heart,
This holocaust I walk in,
O golden child the world will kill and eat.

 

Sylvia Plath
 Buy the Faber Book of 20th Century Women’s Poetry, ed. Fleur Adcock, from an indie bookseller here.

 

 

 

 

#wintersolstice Sheep in Fog by Sylvia Plath #iNeedFeminismBecause

Sheep In Fog

The hills step off into whiteness.
People or stars
Regard me sadly, I disappoint them.

The train leaves a line of breath.
O slow
Horse the colour of rust,

Hooves, dolorous bells –
All morning the
Morning has been blackening,

A flower left out.
My bones hold a stillness, the far
Fields melt my heart.

They threaten
To let me through to a heaven
Starless and fatherless, a dark water.

sylvia Plath

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photos by:

Buy the Faber Book of 20th Century Women’s Poetry, ed. Fleur Adcock, from an indie bookseller here.

Old #Transit poem by famous Canadian poet Margaret Avinson

Transit

Blowing hard at the bus stop: southbound, NW corner.
Barometer falling.
Stars falling, but in that
blue sky who marks it, they fall all over out there.

Wind’s off the Barren Straits.
But the sun is blowing too.
Rearing high out of the nest snakeheads flap in it till the
tear ducts crackle.

The whole geste unrolls; black cars,
poles, black-and-white headlines,
dentist’s floss, wire mesh,
heads spinning, and
a thorn needle for every solitary tune even though there’s no
automatic arm. And it’s
all plugged in
and everything is coming.
But the bus isn’t coming.

Noon keeps swallowing.

The Gas Fire by Stevie Smith #wintersolstice #TransIsBeautiful #iNeedFeminismBecause

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Near Williamstown, MASS, credit: Peter Rintels.

The gas fire
Seemed quite a friend
Such a funny little humming noise it made
And it had a name, too, carved on it you know,
‘The Persian’. The Persian!
Ha ha ha; ha ha.

Now Agnes, pull yourself together.
You and your friends.

Stevie Smith

Florence Margaret Smith, known as Stevie Smith (20 September 1902 – 7 March 1971) was an English poet and novelist.

“When suffering from the depression to which she was subject all her life she was so consoled by the thought of death as a release that, as she put it, she did not have to commit suicide.

She wrote in several poems that death was “the only god who must come when he is called”. Smith suffered throughout her life from an acute nervousness, described as a mix of shyness and intense sensitivity…

Sylvia Plath became a fan of her poetry and sent Smith a letter in 1962, describing herself as “a desperate Smith-addict.” Plath expressed interest in meeting in person but committed suicide soon after sending the letter…

Smith was celibate for most of her life, although she rejected the idea that she was lonely as a result, alleging that she had a number of intimate relationships with friends and family that kept her fulfilled.

About Not Waving But Drowning: Jannice Thaddeus suggests that the speaker of the poem, like other figures in Smith’s works, changes from male to female as part of a theme of androgyny that exists in many of the poems found in Selected Poems.”

Buy the Faber Book of 20th Century Women’s Poetry, ed. Fleur Adcock, from an indie bookseller here.

Daisies by Genevieve Sambrook

Daisies

Wednesday I kissed every inch
of your pulsing neck
and I held your waist
so close to my heart
our breathing matched
you asked me why
I haven’t written
a poem in a while
You joked that I was
lacking inspiration
but darling
the heaviest words are so quiet
when something feels right
you just breathe

and so do I

I heard last week on the radio
that for burn victims the only way
to save a limb is to cut it
until it bleeds
so you know where the living starts
every spring my mother has
me slice apart her flowers
she says they grow back
healthier if you remove what has died
darling I’ve been cutting to
the living part for
as long as I can remember
I would like to think I am
growing back
.

from: We Will Be Shelter, poems for survival. Ed. Andrea Gibson. A write bloody book.

#ForgottenFire Suzy La Follette #iNeedFeminismBecause

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Nothing is gentle for me here. The fire’s
heat is brief, occasional. it’s their eyes
that burn the back of my neck. I was hired
through the same requirements and I’ll rise
through the ranks with the same tests. Yet, somehow
I’ll have more. With every alarm I prove
my strength, prove my skill prove my worth. My brow
furrowed, clothes soaked with sweat. But all my moves
are soon forgotten, disappear like steam
rising from my head, with helmets removed.
Surely, when they tell stories they don’t mean
to forget me, but they do. In their truth
it must’ve been one of the guys, that pulled
that body from the car. Now who’s the fool?

Suzy La Follette

Career firefighter, poet, singer Arti Twit and the Alibis. From Austin, Texas.

http://www.girlsrockaustin.org
http://www.annrichardsschool.org

From: We Will Be Shelter, edited by Andrea Gibson.

Buy from the World’s Oldest LGBTQ bookstore here: support our community, Glad Day Needs You, you need Glad Day 🙂 !
or from an Indie bookstore here
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#FifteenDogs Dramatis Canes @GillerPrize

.@GDBooks “Dramatis Canes” reads like a poem! Hilarious and interesting. Andre Alexis says: “place is fundamental in fiction.” 

(but wth is up with the eye on top of every i?! odd and bothersome after one sentence. Where is my white-out?).

AGATHA               an old labradoodle

 

ATHENA               a brown teacup Poodle

 

ATTICUS               an imposing Nepolitan Mastiff,
                                       with cascading jowls

 

BELLA                    a Great Dane, Athena’s closest pack mate

 

BENJY                    a resourceful and conniving Beagle

 

BOBBIE                 an unfortunate Duck Toller

 

DOUGIE                a Schnauzer, friend to Benjy

 

FRICK                    a Labrador Retriever

 

FRACK                  a Labrador Retriever, Frick’s litter mate

 

LYDIA                   a Whippet and Weimaraner cross,
                                 tormented and nervous

 

MAJNOUN           a black Poodle, briefly referred to as
                                 ‘Lord Jim’ or simply ‘Jim’

 

MAX                      a mutt who detests poetry

 

PRINCE                a mutt who composes poetry,
                                 also called Russell or Elvis

 

RONALDINHO   a mutt who deplores the condescension
                                 of humans

 

ROSIE                   a German Shephers bitch, close to Atticus
.
.
.
or from an Indie bookstore here

Natalie Diaz It Was The Animals

#

It Was the Animals

BY NATALIE DIAZ

Today my brother brought over a piece of the ark
wrapped in a white plastic grocery bag.
He set the bag on my dining table, unknotted it,
peeled it away, revealing a foot-long fracture of wood.
He took a step back and gestured toward it
with his arms and open palms —
            It’s the ark, he said.
            You mean Noah’s ark? I asked.
            What other ark is there? he answered.
            Read the inscription, he told me,
            it tells what’s going to happen at the end.
            What end? I wanted to know.
            He laughed, What do you mean, “what end”?
            The end end.
Then he lifted it out. The plastic bag rattled.
His fingers were silkened by pipe blisters.
He held the jagged piece of wood so gently.
I had forgotten my brother could be gentle.
He set it on the table the way people on television
set things when they’re afraid those things might blow-up
or go-off — he set it right next to my empty coffee cup.
It was no ark —
it was the broken end of a picture frame
with a floral design carved into its surface.
He put his head in his hands —
            I shouldn’t show you this — 
            God, why did I show her this?
            It’s ancient — O, God,
            this is so old.
            Fine, I gave in, Where did you get it?
            The girl, he said. O, the girl.
            What girl? I asked.
            You’ll wish you never knew, he told me.
I watched him drag his wrecked fingers
over the chipped flower-work of the wood —
            You should read it. But, O, you can’t take it — 
            no matter how many books you’ve read.
He was wrong. I could take the ark.
I could even take his marvelously fucked fingers.
The way they almost glittered.
It was the animals — the animals I could not take —
they came up the walkway into my house,
cracked the doorframe with their hooves and hips,
marched past me, into my kitchen, into my brother,
tails snaking across my feet before disappearing
like retracting vacuum cords into the hollows
of my brother’s clavicles, tusks scraping the walls,
reaching out for him — wildebeests, pigs,
the oryxes with their black matching horns,
javelinas, jaguars, pumas, raptors. The ocelots
with their mathematical faces. So many kinds of goat.
So many kinds of creature.
I wanted to follow them, to get to the bottom of it,
but my brother stopped me —
            This is serious, he said.
            You have to understand.
            It can save you.
So I sat down, with my brother wrecked open like that,
and two-by-two the fantastical beasts
parading him. I sat, as the water fell against my ankles,
built itself up around me, filled my coffee cup
before floating it away from the table.
My brother — teeming with shadows —
a hull of bones, lit only by tooth and tusk,
lifting his ark high in the air.

Source: Poetry (March 2014).