Great Amazon of God behold your bread #poem #blacklivesmatter #malcolmx #blackfuturemonth

Two stanzas from two different poems For Malcolm X and For Mary McLeod Bethune.

Margaret Walker is an incredibly influential writer. She is a poet whose work is fresh and powerful in its conscious pride, its longing, vehement prayers and its direct broken hearted-ness.

From the Poetryfoundation:
“Walker’s first novel, Jubilee, is notable for being “the first truly historical black American novel,” reported Washington Post contributor Crispin Y. Campbell.

It was also the first work by a black writer to speak out for the liberation of the black woman.

The cornerstones of a literature that affirms the African folk roots of black American life, these two books have also been called visionary for looking toward a new cultural unity for black Americans that will be built on that foundation.”

For Mary McLeod Bethune

Believing in the people who are free,
who walk uplifted in an honest way,
you look at last upon another day
that you have fought with God and women to see.
Great Amazon of God behold your bread.
We walk with you and we are comforted.

 

For Malcolm X

Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?

 

Full poems:

For Mary McLeod Bethune

Great Amazon of God behold your bread
washed home again from many distant seas.
The cup of life you lift contains no less,
no bitterness to mock you. In its stead
this sparkling chalice many souls has fed,
and broken hearted people on their knees
lift up their eyes and suddenly they seize
on living faith, and they are comforted.

Believing in the people who are free,
who walk uplifted in an honest way,
you look at last upon another day
that you have fought with God and men to see.
Great Amazon of God behold your bread.
We walk with you and we are comforted.

—margaret walker, mary mcleod bethune.

 

For Malcolm X

BY MARGARET WALKER

All you violated ones with gentle hearts;
You violent dreamers whose cries shout heartbreak;
Whose voices echo clamors of our cool capers,
And whose black faces have hollowed pits for eyes.
All you gambling sons and hooked children and bowery bums
Hating white devils and black bourgeoisie,
Thumbing your noses at your burning red suns,
Gather round this coffin and mourn your dying swan.
Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?
More from Poetry foundation:
“Walker’s volume of poetry Prophets for a New Day was published in 1970. She called Prophets for a New Day her civil rights poems…Walker begins the volume with two poems in which the speakers are young children;
one eight-year-old demonstrator eagerly waits to be arrested with her group in the fight for equality, and a second one
is already jailed and wants no bail.
Her point is that these young girls are just as much prophets for a new day as were Nat Turner, Gabriel Prosser, Denmark Vesey, Toussaint L’Ouverture, and John Brown.”

Mi no wani wan ati di n’ abi kra I wish for no heart without a soul #BlackLivesMatter #poem Surinam

Surinam is a country with the rule of law and a democracy in Latin America, but counted under the Caribbean like Trinidad and Tobago. Sranantongo is the language. The language is part Dutch, part Indonesian and also has traces of Indian-Indonesian and Chinese-Indonesian. Surinam was a country partly build by slaves and taken from many Indigenous peoples. Google it.

Awese (Winti religion: a good spirit)
Light in the everlasting Dark Moon
Johanna Schouten/Elsenhout

a mindri fu strei fu aladei
In the midst of the struggle of everyday
te midden van de strijd van alledag

.
Duman

Mi no wani
wan ati
di n’ abi kra
mi wani
wan yeye d’ e libi

mi n’e wer’
susu
di n’e fit’mi
m’e wer’
mi eigi krompu

mi n’e sdon
luku
a fesi fu sma
m’e luku ini
mi eigi spikri

Human of the Deed

I wish for
no heart
without a soul
I want
a mind who lives

I wear
no shoes
that do not fit me
I wear
my own clogs

I am not
watching
the faces of others
I look in
my own mirror

Mens van de daad

Ik wil
geen hart
dat geen ziel heeft
ik wil
een geest die leeft

ik draag
geen schoenen
die mij niet passen
ik draag
mijn eigen klompen

ik zit niet
te kijken
naar het gezicht van anderen
ik kijk in
mijn eigen spiegel

klompen: slippers met houten zool
klompen: slippers with wooden sole

.

More to read here 

Tekstredactie en vertaling D.Fance Olivieira
Libertas
ISBN 978 99914 7 048 1
145 blz.

#BlackHistoryMonth #poem Old People Speak of Death #blacklivesmatter

Quincy Troupe the poet is an amazing black poet, prof and writer for children!

Quincy Troupe feels like home, because he is Emeritus Professor American and Caribbean Literature at the University of California. Anyone who loves Caribbean literature has a special place in my heart.

He is #BlackExcellence: Quincy Troupe publishes Black Renaissance Noire, an academic, cultural, political and literary newspaper co-published by the University of New York through the African studies and the Institute of Afroamerican Issues program/department.

And, and, and… He was co-author along with Miles Davis of Miles: The Autobiography, 1989.

What a fine man!

The Old People Speak of Death,
For Grandmother, Leona Smith
by Quincy Troupe

the old people speak of death
frequently, now
my grandmother speaks of those now
gone to spirit, now
less than bone

they speak of shadows that graced
their days, made lovelier by their wings of light
speak of years & of the corpses of years, of darkness
& of relationships buried
deeper even than residue of bone
gone now, beyond hardness
gone now, beyond form

they smile now from ingrown roots
of beginnings, those who have left us
& climbed back through holes the old folks left
inside their turnstile eyes
for them to pass through

eye walk back now, with this poem
through turnstile-holes the old folks – ancestors – left inside
their tunneling eyes for me to pass through, walk back to where
eye see them there
the ones who have gone beyond hardness
the ones who have gone beyond form
see them there
darker than where roots began
& lighter than where they go
carrying spirits heavier than stone –
their memories sometimes brighter
than the flash of sudden lightning –

& green branches & flowers will grow
from these roots – wearing faces –
darker than time & blacker than even the ashes of nations
sweet music will sprout from these flowers & wave petals
like hands caressing love-stroked language
under sun-tongued mornings –
shadow the light spirit in all our eyes –

they have gone now, back to shadow
as eye climb back out of the holes of these old peoples
eyes, those spirits who sing now through this poem
who have gone now back with their spirits
to fuse with greenness
enter stones & glue their invisible traces
as faces nailed upon the transmigration of earth
their exhausted breath now singing guitar blues
voices blowing winds through white ribcages
of these boned days
gone now back to where
years run, darker than where
roots begin, greener than what
they bring – spring
the old people speak of death
frequently, now
my grandmother speaks of those now
gone to spirit, now
less than bone

 

Quincy Troupe was born in New York , United States , in 1943. Poet, narrator, essayist, college professor. He has published, among other works, the poetry books: Embryo, 1971; Skulls along the River, 1984; Weather Reports: New and Selected Poems, 1991; Avalanche, 1997; Trascircularities; New and Selected Poems, 2002; and more recently, The Architechture of Language. He is Emeritus Professor of creative writing and American and Caribbean Literature at the University of California .

His poetry and prose have been translated into French, Spanish, German, Italian, Russian, Polish and Dutch. He has read his work throughout all the United States as well as in Europe, Africa, Canada , The Caribbean, Mexico and Brazil .

He has published the following books for children: Take it to the hoop, Magic Johnson, based on his popular “Poem for Magic” 2000; Little Stevie 2005 and Hallalujah about old Ray Charles, 2006.”

.

.

From: The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

H.D.

http://www.poetryfoundation.org/bio/h-d#poet

Amazing person this. Read about her life in the link.

from Sigil

XI

If you take the moon in your hands
and turn it round
(heavy, slightly tarnished platter)
you’re there;

if you pull dry seaweed from the sand
and turn it round
and wonder at the underside’s bright amber,
your eyes

look out as they did here,
(you don’t remember)
when my soul turned round,

perceiving the other-side of everything,
mullein-leaf, dog-wood leaf, moth-wing
and dandelion-seed under the ground.

from Winter Love

5

So we were together
though I did not think of you
for ten years

it is more than ten years
and the long time after;
I was with you in Calypso’s cave?

there is something left over,
the first unsatisfied desire-
the first time, the first kiss,

the rough stones of a wall,
the fragrance of honey-flowers, the bees,
and how I would have fallen but for a voice,

calling through the brambles
and tangle of bay-berry
and rough broom,

Helen, Helen, come home;
there was a Helen before there was a War,
but who remembers her?

.

Buy the Faber Book of 20th Century Women’s Poetry, ed. Fleur Adcock, from an indie bookseller here.

Jazzonia by Langston Hughes. “oh, silver rivers of the soul” #BlackLivesMatter #BlackHistoryYouDidntLearnInSchool #blackpoet

Jazzonia by Langston Hughes

Oh, silver tree!
Oh, shining rivers of the soul!

In a Harlem cabaret
Six long-headed jazzers play.
A dancing girl whose eyes are bold
Lifts high a dress of silken gold.

Oh, singing tree!
Oh, shining rivers of the soul!

Were Eve’s eyes
In the first garden
Just a bit too bold?
Was Cleopatra gorgeous
In a gown of gold?

Oh, shining tree!
Oh, silver rivers of the soul!

In a whirling cabaret
Six long-headed jazzers play.

 

.

From: The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

“The night is beautiful So the faces of my people.” Langston Hughes #ValentinesDay #BlackHistory

When you have to learn to love yourself and parts of yourself that others are afraid of. When they choose only to see the scary in the night, and don’t connect you with owls and the moon and the dark grays, blues, purples of the night. When they don’t think of the sounds of grass and the cats in the dark.

When you have to learn to see the beauty where powerful others don’t even *notice* that beauty in you. Because they don’t look at you, or can’t even imagine you can be beautiful like they are. Or because they are afraid of one thing about you and they don’t see all the other sides to you that are like theirs, that *can* be beautiful.

When you have to point to the biggest, brightest light and tell people to see you just like that. When you have to point out the kindness, love, strength, weakness, endurance, impatience, fun, heat and love of your soul.

“My People”

The night is beautiful
So the faces of my people

The stars are beautiful
So the eyes of my people

Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.

Langston Hughes

 

My Black Me: A Beginning Book of Black Poetry (A Puffin Poetry Book)
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NEW at independent bookstores NEAR you: My Black Me

Established in 1970, Glad Day Bookshop is the world’s oldest LGBTQ bookstore and Toronto’s oldest surviving bookstore. In 2012, a group of 23 community members pooled their funds and bought Glad Day Bookshop to save it from closing.

“Our best strategy for survival is adding new revenues streams like food and drink – which means a larger space.
We’ve picked out a great spot on Church Street that would allow us to be a bookstore & coffee shop during the day and a bar at night.
It is wheelchair accessible, with an accessible washroom.

It has a cute patio, a small space for performances and walls for art.

We will be a space where everyone feels welcome, sexy and celebrated.

We will be a queer-owned, indie place on Church Street. We will amplify the love, creativity, sexuality, diversity & liberation that Glad Day Bookshop is known for.”

The Creation: “And God stepped out on space…” by James Weldon Johnson! Pretty fantastic.

RE-imagined poem by James Weldon Johnson. Still the same G-d, people. Beautiful images Weldon calls forth, as if he was there there- one of these poems that you can feel the amazing of our world, our trees, our rivers, our deer, our elephants, our woods and jungles… Unbelievably beautiful what we have to take care of. Care. Of. Read and weep.

And then give freely to the World Wild Life Fund and Green-Peace.

Quick thoughts on image:
“Toiling over a lump of clay
Till She shaped it in Her own image;”

God had to toil to make us into her image. Everyone who has worked with clay and has attempted to shape a human or any animal, knows how hard it is. You start out roughly, you add on, you take off, you squeeze, you pull a bit this way. That way. Making stars seems to have come to God easily. She threw the light against the darkness. With us, she had to think. What was important. She didn’t create us like the trees, or the rivers. Why would it be so hard to create an image of God? You have to understand yourself if you want to describe yourself. God had to think about what made her who she was. She could create, so she gave us that. We can make dark and light in our life. She gave us that choice. She gave us a smile. She gave us words. She knew she was lonely still and she made us look for others. She made us want community and love and closeness. She taught us how to kneel down and toil over what is important.

 

And God stepped out on space,
And She looked around and said,
“I’m lonely —
I’ll make me a world.”

And far as the eye of God could see
Darkness covered everything,
Blacker than a hundred midnights
Down in a cypress swamp.

Then God smiled,
And the light broke,
And the darkness rolled up on one side,
And the light stood shining on the other,
And God said, “That’s good!”

Then God reached out and took the light in Her hands,
And God rolled the light around in Her hands
Until She made the sun;
And She set that sun a-blazing in the heavens.
And the light that was left from making the sun
God gathered it up in a shining ball
And flung it against the darkness,
Spangling the night with the moon and stars.
Then down between
The darkness and the light
She hurled the world;
And God said, “That’s good!”

Then God herself stepped down —
And the sun was on Her right hand,
And the moon was on Her left;
The stars were clustered about Her head,
And the earth was under Her feet.
And God walked, and where She trod
Her footsteps hollowed the valleys out
And bulged the mountains up.

Then She stopped and looked and saw
That the earth was hot and barren.
So God stepped over to the edge of the world
And She spat out the seven seas;
She batted Her eyes, and the lightnings flashed;
She clapped Her hands, and the thunders rolled;
And the waters above the earth came down,
The cooling waters came down.

Then the green grass sprouted,
And the little red flowers blossomed,
The pine tree pointed her finger to the sky,
And the oak spread out her arms,
The lakes cuddled down in the hollows of the ground,
And the rivers ran down to the sea;
And God smiled again,
And the rainbow appeared,
And curled itself around Her shoulder.

Then God raised Her arm and She waved Her hand
Over the sea and over the land,
And She said, “Bring forth! Bring forth!”
And quicker than God could drop Her hand.
Fishes and fowls
And beasts and birds
Swam the rivers and the seas,
Roamed the forests and the woods,
And split the air with their wings.
And God said, “That’s good!”

Then God walked around,
And God looked around
On all that She had made.
She looked at Her sun,
And She looked at Her moon,
And She looked at Her little stars;
She looked on Her world
With all its living things,
And God said, “I’m lonely still.”

Then God sat down
On the side of a hill where She could think;
By a deep, wide river She sat down;
With Her head in Her hands,
God thought and thought,
Till She thought, “I’ll make me a body!”

Up from the bed of the river
God scooped the clay;
And by the bank of the river
She kneeled Her down;
And there the great God Almighty
Who lit the sun and fixed it in the sky,
Who flung the stars to the most far corner of the night,
Who rounded the earth in the middle of Her hand;
This Great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till She shaped it in Her own image;

Then into it She blew the breath of life,
And body became a living soul.
Amen. Amen.

James Weldon Johnson (1871-1938)

Whoohoo!!

Creation poem II (by Dutch ship’s doctor Jan Jacob Slauerhoff)

God’s child kept blocks in his apron’s pocket,
which it had been playing with in the clouds.
But when she, tired, bored, then wished to clear the decks
She saw into the box and could not fathom

how ever to fit them, neatly ordered stacked.
Because God was stern, but slept, so was no danger.
She let them drop, without a further glance
and made straight for a pretty sculpted angel.

The blocks fellthrough stark empty skies,
And reached an empty world, where
They remained as thrown.

Most shattered into hills and dales;
And those, whole, in one piece, formed here and there
the far wide cities and the smallest towns.

 

SUPPORT planet Earth and all of our creatures:
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Maya Angelou, phenomenal woman.

ImageImageImageImageImageImage

 

When Great Souls Die

When great trees fall,
rocks on distant hills shudder,
lions hunker down in tall grasses,
and even elephants lumber after safety. When great trees fall in forests,
small things recoil into silence, their senses eroded beyond fear.

When great souls die,
the air around us becomes light, rare, sterile.
We breathe, briefly.
Our eyes, briefly, see with a hurtful clarity. Our memory, suddenly sharpened, examines, gnaws on kind words unsaid, promised walks never taken.
Great souls die and our reality, bound to them, takes leave of us.
Our souls, dependent upon their nurture, now shrink, wizened.
Our minds, formed and informed by their radiance, fall away.
We are not so much maddened as reduced to the unutterable ignorance of dark, cold caves.
And when great souls die, after a period peace blooms, slowly and always irregularly.
Spaces fill with a kind of soothing electric vibration.
Our senses, restored, never to be the same, whisper to us.
They existed.
They existed.
We can be.
Be and be better.
For they existed.

 

——-

 

Phenomenal Woman

Pretty women wonder where my secret lies.
I’m not cute or built to suit a fashion model’s size
But when I start to tell them,
They think I’m telling lies.
I say,
It’s in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It’s the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Men themselves have wondered
What they see in me.
They try so much
But they can’t touch
My inner mystery.
When I try to show them
They say they still can’t see.
I say,
It’s in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I’m a woman

Phenomenally.
Phenomenal woman,
That’s me.

Now you understand
Just why my head’s not bowed.
I don’t shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It’s in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
‘Cause I’m a woman
Phenomenally.
Phenomenal woman,
That’s me.

Maya Angelou

To sit quietly beside a friend

To sit quietly beside a friend

I would like to come to all my friends
– well, also those who are not my friends-
And ask: Love me the way I am
and don’t make demands. See I can’t
entertain you with lively chat, can’t be
quick-witted, witty nor share confidences
about myself or speak my deepest thoughts.
Should we so wear out ourselves – one for the other?

Let me sit next to you without words, quietly,
wrapped up in our own work, our own thoughts
Or- if you’d like to talk- do speak to me
I will listen– if you good-humouredly
with light chat would keep me company,
I will laugh at your banter and your drollery
I will watch you with an earnest face if loftily, or deeply
or idly you speak of much too serious a thing.

But when I sit quietly like this, and listen
to your words- or to the ticking of the clock-
Or, if I let the silence rustle around us,
-it does whisper so delightfully when folks are still-
When I feel glad to be around you,
then I would like to ask, and break the silence

or with my question interrupt our talk:
Say, are you glad also, that I sit here beside you
And if you say yes, then I will say me too.

And that would be all I wished to know
and all that you would need to know of me.

Jacqueline E. van der Waals

Ik zou tot al mijn vrienden willen gaan
-Ook wel tot hen,die niet mijn vrienden zijn-
En vragen:Heb mij lief,gelijk ik ben
En stel aan mij geen eischen.Zie ik kan
niet onderhoudend praten,niet gevat
Of geestig zijn,en niet vertrouwelijk
vertellen van mijzelf of van mijn ziel…..
Wat zouden we ons vermoeien voor elkaar?

Laat mij maar zwijgend naast U zitten.stil
Verdiept in eigen werk,eigen gedachten.
Of-als gij praten wilt-spreek gij tot mij.
k zal wel luisteren,als gij vriendelijk
Met lichten kout mij onderhouden wilt,
Wel lachen om de grappen.die ge zegt,
Wel ernstig kijken,als ge hoog, of diep,
Of ijdel praat van al te diepe dingen…..

Maar als ik dan zo zwijgend zit,en luister
Naar uw gesprek-of naar het klokgetik-
Of , k laat de stilte ruischen om ons heen,-
-Die ruischt zoo prettig,als de mensen zwijgen-
Als ‘ k mij dan blij in uw nabijheid voel,
Dan zou ik willen vragen, en de stilte

-Of ons gesprek-verbreken met mijn vraag:
,,Zeg. zijt ge ook blij,dat ik hier naast u zit?”
Spraakt gij dan,,Ja”, dan zei ik zacht: Ik ook”

En dat was alles,wat ik weten wou
En al, wat gij van mij behoeft te weten.

Moon in virgo- James Lee Jobe

You are not beaten. The simple music rises up,

children's voices in the air, sound floating out

across the land and on to the river beyond,

over the valley's floor. No, you cannot go back

for those things you lost, the parts of yourself

that were taken, often by force. Like an animal

in the forest you must weep it all away at once,

violently, and then simply live on. The music here

is Bach, Vivaldi; a chorale of children, a piano,

a violin. Together, they have a certain spirit

that is light, that lets in light, joyful, ecstatic.

"Forgive," said The Christ, and why not? Every day

that you still breathe has all the joy

and murderous possibilities of your bravest dream.

Forgive. Breathe. Live. The moon has entered Virgo,

the wind shifts, blows up from the Delta, cools this valley,

and you are not beaten; the children sing, it is Bach,

and you are brave, alive, and human.

 

Charles Bukowski- The Night I Was Going To Die.

The Night I Was Going To Die

Written by: Charles Bukowski

 
 the night I was going to die
I was sweating on the bed
and I could hear the crickets 
and there was a cat fight outside
and I could feel my soul dropping down through the 
mattress
and just before it hit the floor I jumped up
I was almost too weak to walk
but I walked around and turned on all the lights
and then I went back to bed
and dropped it down again and
I was up
turning on all the lights
I had a 7-year-old daughter
and I felt sure she wouldn't want me dead
otherwise it wouldn't have
mattered
but all that night
nobody phoned
nobody came by with a beer
my girlfriend didn't phone
all I could hear were the crickets and it was
hot
and I kept working at it
getting up and down
until the first of the sun came through the window
through the bushes
and then I got on the bed
and the soul stayed
inside at last and
I slept.
now people come by
beating on the doors and windows
the phone rings
the phone rings again and again
I get great letters in the mail
hate letters and love letters.
everything is the same again.

Eerste Verzen. J.J. Slauerhoff. Working on translation.

Eerste Verzen. J.J. Slauerhoff

[…] Dit is het leven met den dood verzoenen:
Dat alle oogsten wortlen in het doode,
Dat grauwe gronden rozen overrooden;
Uit de vermolmde woeker, het verfoeisel,
Zal Vrijheid stijgen, een volvruchtig bloeisel.

[…]
Mijn teedre vreugden zijn gevormd in porselein,
Anders dan zeer bezorgd raak ik hun randen niet;
De azuren geurwolk die mijn blonde thee ontvliedt,
Ontvoert vervluchtend ‘t leed en houdt mijn zielsrust rein.
[…]