Every land is the holy land– Watch where the branches of the willows bend! And some haikus… Black Elk, Le Guin, Issa on Friday!

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Every land is the holy land by Ursula K. Le Guin (November 2006)

From a saying of Black Elk
Watch where the branches of the willows bend
See where the waters of the rivers tend
Graves in the rock, cradles in the sand
Every land is the holy land
Here was the battle to the bitter end
Here’s where the enemy killed the friend
Blood on the rock, tears on the sand
Every land is the holy land
Willow by the water bending in the wind
Bent till it’s broken and it will not stand
Listen to the word the messengers send
Life like the broken rock, death like the sand
Every land is the holy land

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And some haikus for Friday by Issa:

The distant mountains
are reflected in the eye
of the dragonfly

Frog and I,
eyeball
to eyeball.

A sheet of rain.
Only one man remains among
cherry blossom shadows

What good luck!
Bitten by
this year’s mosquitoes too.

Bits of time and sound by Arthur Seymour John Tessimond. A poet hidden and then almost lost!

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Beautiful!

[…]

I am the rails on which the moment passes,
The megaphone for many words and voices:
I am the graph diagram,
Composite face.

[…]

I am the man they call the nation’s backbone,
Who am boneless – playable castgut, pliable clay:
The Man they label Little lest one day
I dare to grow.

I am the led, the easily-fed,
The tool, the not-quite-fool,
The would-be-safe-and-sound,
The uncomplaining, bound,
The dust fine-ground,
Stone-for-a-statue waveworn pebble-round

Arthur Seymour John Tessimond

And in the correct order:

The Man In The Bowler Hat

I am the unnoticed, the unnoticable man:
The man who sat on your right in the morning train:
The man who looked through like a windowpane:
The man who was the colour of the carriage, the colour of the mounting
Morning pipe smoke.
I am the man too busy with a living to live,
Too hurried and worried to see and smell and touch:
The man who is patient too long and obeys too much
And wishes too softly and seldom.

I am the man they call the nation’s backbone,
Who am boneless – playable castgut, pliable clay:
The Man they label Little lest one day
I dare to grow.

I am the rails on which the moment passes,
The megaphone for many words and voices:
I am the graph diagram,
Composite face.

I am the led, the easily-fed,
The tool, the not-quite-fool,
The would-be-safe-and-sound,
The uncomplaining, bound,
The dust fine-ground,
Stone-for-a-statue waveworn pebble-round

 

http://vimeo.com/70885550 a radio recording of himself reading a poem.

http://thefilter.blogs.com/thefilter/asj_tessimond/

 

In Canterbury Cathedral

Trees, but straighter than birches, rise to the sky
Of stone. Their branches meet in the sky of stone.
Stone fountains leap and meet: their traceries are
As light as lace. These prayers of stone were prayed
To a God I can’t believe in, but were made
By Man, men almost gods, in whom I can
Believe: were made as strong, to last as long
As time. I stare and pray to Man alone.

 

[…] leave as your final legacy
A box double-locked by the spider
Packed with your unsolved problems

‘The Children Look at the Parents’

Spring Haikus by Issa – Japanese poet.

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Early spring –                                From the bough
stream flows                                 floating downriver,
toward my door                            insect song.

In spring rain
A pretty girl
yawning.

Face of the spring moon –
About twelve years old,
I’d say.

The cricket
proudly pricks up its whiskers
and sings

My spring is just this:
a single bamboo shoot,
a willow branch

Moist spring moon –
raise a finger
and it drips.

The spring day
Lingers
In the pools.

Blossoms at night,
and the faces of people
moved by music.

 

A world of trials,
and if the cherry blossoms,
it simply blossom

 

Moon, plum blossoms,
this, that,
and the day goes.

Not very anxious
to bloom,
my plum tree

The new year arrived
in utter simplicity –
and a deep blue sky

People working fields,
from my deepest heart, I bow.
Now a little nap.

Before I arrived,
who were the people living here?
Only violets remain.

 

Black History- Poetry. John Agard celebrates the British Anthem!

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Alternative Anthem

Put the kettle on
Put the kettle on
It is the British answer
to Armageddon.

Never mind taxes rise
Never mind trains are late
One thing you can be sure of
and that’s the kettle, mate.

It’s not whether you lose
It’s not whether you win
It’s whether or not
you’ve plugged the kettle in.

May the kettle ever hiss
May the kettle ever steam
It is the engine
that drives our nation’s dream.

Long live the kettle
that rules over us
May it be limescale free
and may it never rust.

Sing it on the beaches
Sing it from the housetops
The sun may set on empire
but the kettle never stops.”
― John AgardAlternative Anthem: Selected Poems

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He has a twinkle in his eye!

Black History: The World is Your Body. “Teaching My Mother to Give Birth” by Warsan Shire

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London’s first young poet laureate!!!

Teaching My Mother to Give Birth by Warsan Shire:

“later that night
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?”

it answered
everywhere
everywhere
everywhere.”
― Warsan Shire

USED: http://www.abebooks.com/servlet/BookDetailsPL?bi=11212527987
NEW: http://www.indiebound.org/book/9781905233298

Poems about the body: African-American poet, Yusef Komunyakaa.

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Poems about the body: African-American poet, Yusef Komunyakaa.

[…]
I love my crooked feet
shaped by vanity & work
shoes made to outlast
belief. The hardness
coupling milk it can’t
fashion. I love the lips,
salt & honeycomb on the tongue.
The hair holding off rain
& snow. The white moons
on my fingernails. I love
how everything begs
blood into song & prayer
inside an egg. A ghost
hums through my bones
like Pan’s midnight flute
shaping internal laws
beside a troubled river.
I love this body
made to weather the storm
in the brain, raised
out of the deep smell
of fish & water hyacinth,
out of rapture & the first
regret. I love my big hands.
I love it clear down to the soft
quick motor of each breath,
the liver’s ten kinds of desire
& the kidney’s lust for sugar.
This skin, this sac of dung
& joy, this spleen floating
like a compass needle inside
nighttime, always divining
West Africa’s dusty horizon.
I love the birthmark
posed like a fighting cock
on my right shoulder blade.
I love this body, this
solo & ragtime jubilee
behind the left nipple,
because I know I was born
to wear out at least
one hundred angels.

Poems about The Body. Black poet Sterling A. Brown- Ma Rainey. Will pierce your heart.

Screen Shot 2014-03-09 at 12.35.01 PM
Professor Sterling Brown, Duke Ellington, G Frederick Stanton
– http://www.howard.edu/msrc/treasures_howardiana_vips-honorees.html

Poems about The Body. Black poet Sterling A. Brown- Ma Rainey.

[…]
I talked to a fellow, an’ the fellow say,
“She jes’ catch hold of us, somekindaway.
She sang Backwater Blues one day:

‘It rained fo’ days an’ de skies was dark as night,
Trouble taken place in de lowlands at night.

‘Thundered an’ lightened an’ the storm begin to roll
Thousan’s of people ain’t got no place to go.

‘Den I went an’ stood upon some high ol’ lonesome hill,
An’ looked down on the place where I used to live.’

An’ den de folks, dey natchally bowed dey heads an’ cried,
Bowed dey heavy heads, shet dey moufs up tight an’ cried,
An’ Ma lef’ de stage, an’ followed some de folks outside.”

Dere wasn’t much more de fellow say:
She jes’ gits hold of us dataway.

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Black History- Poems about The Body. Calvin Forbes, “Picture of a Man”

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Poems about The Body. Calvin Forbes, Black poet- “Picture of a Man”

He draws a man,
bright swirls of red.
And I say give me a tree.
He points to the middle
of his red and says
“there’s a tree!”
Tonight without complaining
he goes off to sleep
asking why in his story book
the big boats have little
boats. He shouts
goodnight: I ask if he wants
the lights out-

he says no, that he can’t see
without the light.
A different excuse than
last night when he was plain scared.
Later I turn off the light-
his face soft as a breast.
And I know then what another man
meant when he said
maybe I could have loved
better
but couldn’t have loved more.
I thought of a woman like that once.
This child is all I have left…

—–

BUY:
USED: http://www.abebooks.com/servlet/SearchResults?an=calvin+forbes&kn=poetry&sts=t
NEW: http://www.indiebound.org/book/9780807126660

http://www.poetryfoundation.org/bio/calvin-forbes

“Calvin Forbes teaches writing, literature, and jazz history at the School of the Art Institute in Chicago. Blues and jazz inform both the rhythm and content of his poetry. He often uses ballads to tell family stories or the ups and downs of romance. But Forbes updates the tradition with surreal techniques, epigrammatic humor, and changing voices. He described his work as “simplicity shacked up with complexity.” His first book, Blue Monday, appeared in 1974 and his most recent, The Shine Poems, a book that resurrects the African-American folk character, was issued in 2001.”Image

Black History- poems about your body. Lucille Clifton- lost baby

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Poems about Your Body.
Lucille Clifton, black poet- The Lost Baby Poem.

the time i dropped your almost body down
down to meet the waters under the city
and run one with the sewage to the sea
what did i know about waters rushing back
what did i know about drowning
or being drowned

you would have been born into winter
in the year of the disconnected gas
and no car—- we would have made the thin
walk over genesee hill into the canada wind
to watch you slip like ice into strangers’ hands
you would have fallen naked as snow into winter
if you were here i could tell you these
and some other things

if i am ever less than a mountain
for your definite brothers and sisters
let the rivers pour over my head
let the sea take me for a spiller
of seas —– let black men call me stranger
always —–for your never named sake

Black History- poems about your body. Lucille Clifton

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Black History Month- poems about your body.

listen children
keep this in the place
you have for keeping
always
keep it all ways

we have never hated black

listen
we have been ashamed
hopeless tired mad
but always
all ways
we loved us

we have always loved each other
children all ways

pass it on

Lucille Clifton

The Oxford Anthology of African-American Poetry- grab it now! 5 left between 6 and 15 dollars. The rest is 30 to 60 dollars!

NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

Black History- poems about your body. Waring Cuney- No images.

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Black History Month- poems about your body.

She does not know
her beauty,
she thinks her brown body
has no glory.

If she could dance
naked
under palm trees
and see her image in the river,
she would know.

But there are no palm trees
on the street,
and dish water gives back
no images.

Waring Cuney- No images.

“He is best known for his poem “No Images”, which won first prize in the 1926 Opportunity poetry contest. The poem was later used by jazz singer/pianist/songwriter Nina Simone on her 1966 album Let It All Out.”

“William Waring Cuney, “No images” from Storefront Church, published in 1973 by Paul Breman Limited. After exhaustive efforts have been made to identify and contact a rights holder, this material is believed to be in the public domain.”

http://www.youtube.com/watch?v=u6vZwsJu7co

http://www.poetryfoundation.org/bio/william-waring-cuney

http://www.aaregistry.org/historic_events/view/waring-cuney-poet-harlem-rennissance

 

“He is the consummate artist when it comes to drawing vivid sketches of character with brevity and clarity of words. Cuney, as he was better known among his contemporaries, is often referred to either as one of the minor poets of the Harlem Renaissance or one of the “second echelon” poets of the New Negro Movement. However, among his contemporaries he was considered one of the favorites of the Renaissance group.”

 

Black History– poems about the body and freedom. This one is by Weldon J. Irvine.

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Black History– poems about the body and freedom. This one is by Weldon J. Irvine.

Young, gifted, and black
Oh what a lovely precious dream.
To be young, gifted, and black
Open your heart to what I mean.
In the whole world you know
There’s a million boys and girls
Who are young, gifted, and black
And that’s a fact!

You are young, gifted, and black
We must begin to tell our young,
“There’s a world waiting for you.
Yours is the quest that’s just begun.
When you’re feeling real low
There’s a great truth that you should know
When you’re young, gifted, and black
Your soul’s intact!”

Ah to be young, gifted, and black
Oh how I’ve longed to know the truth.
There are times when I look back
And I am haunted by my youth.
But my joy of today
Is that we can all be proud to say,
“To be young, gifted, and black
Is where it’s at! Is where it’s at! Is where it’s at!”

 http://www.youtube.com/watch?v=h3OIfuVpocU&feature=kp

Nina Simone’s rendition.

 

June Jordan, “Poem About My Rights” Black History.

Black History Month– Poems about the body. Your body. Your body.

[…]
alone on the streets/alone not being the point/
the point being that I can’t do what I want
to do with my own body because I am the wrong
sex the wrong age the wrong skin and
suppose it was not here in the city but down on the beach/
or far into the woods and I wanted to go
there by myself thinking about God/or thinking
about children or thinking about the world/all of it
disclosed by the stars and the silence:
I could not go and I could not think and I could not
stay there
alone
as I need to be
alone because I can’t do what I want to do with my own
body and
who in the hell set things up
like this
[…]

I am the history of battery assault and limitless
armies against whatever I want to do with my mind
and my body and my soul and
whether it’s about walking out at night
or whether it’s about the love that I feel or
whether it’s about the sanctity of my vagina or
the sanctity of my national boundaries
or the sanctity of my leaders or the sanctity
of each and every desire
that I know from my personal and idiosyncratic
and indisputably single and singular heart
[…]

but let this be unmistakable this poem
is not consent I do not consent
to my mother to my father to the teachers
[…]

I am not wrong: Wrong is not my name
My name is my own my own my own
and I can’t tell you who the hell set things up like this
but I can tell you that from now on my resistance
my simple and daily and nightly self-determination
may very well cost you your life

June Jordan. “Poem about my rights”

June Jordan, “Poem About My Rights” from Directed By Desire: The Collected Poems of June Jordan (Port Townsend, WA: Copper Canyon Press, 2005). Copyright © 2005 by The June M. Jordan Literary Trust.

Flame-Heart by Claude McKay; his tropical memories. Black History.

Flame-Heart by Claude McKay; his tropical memories.

SO much have I forgotten in ten years,
So much in ten brief years! I have forgot
What time the purple apples come to juice,
And what month brings the shy forget-me-not.
I have forgot the special, startling season
Of the pimento’s flowering and fruiting;
What time of year the ground doves brown the fields
And fill the noonday with their curious fluting.
I have forgotten much, but still remember
The poinsettia’s red, blood-red in warm December.

I still recall the honey-fever grass,
But cannot recollect the high days when
We rooted them out of the ping-wing path
To stop the mad bees in the rabbit pen.
I often try to think in what sweet month
The languid painted ladies used to dapple
The yellow by-road mazing from the main,
Sweet with the golden threads of the rose-apple.
I have forgotten–strange–but quite remember
The poinsettia’s red, blood-red in warm December.

What weeks, what months, what time of the mild year
We cheated school to have our fling at tops?
What days our wine-thrilled bodies pulsed with joy
Feasting upon blackberries in the copse?
Oh some I know! I have embalmed the days
Even the sacred moments when we played,
All innocent of passion, uncorrupt,
At noon and evening in the flame-heart’s shade.
We were so happy, happy, I remember,
Beneath the poinsettia’s red in warm December.