brothers, who will hold her, who will find her beautiful if you do not? Lucille Clifton. #OscarsSoWhite

song at midnight

brothers,
this big woman
carries much sweetness
in the folds of her flesh.
her hair
is white with wonderful.
she is
rounder than the moon
and far more faithful.
brothers,
who will hold her,
who will find her beautiful
if you do not?

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on the bridge between
starshine and clay,
my own hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

Lucille Clifton

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From The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
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Snow White was nude at her wedding, she’s so white… #OscarsSoWhite #ThyliasMoss #poetryisjustawesome

Lessons from a Mirror

Snow White was nude at her wedding, she’s so white
the gown seemed to disappear when she put it on.

Put me beside her and the proximity is good
for a study of chiaroscuro, not much else.

Her name aggravates me most, as if I need to be told
what’s white and what isn’t.

Judging strictly by appearance there’s a future for me
forever at her heels, a shadow’s constant worship.

Is it fair for me to live that way, unable
to get off the ground?

Turning the tables isn’t fair unless they keep turning.
Then there’s the danger of Russian roulette

and my disadvantage: nothing falls from the sky
to name me.

I am the empty space where the tooth was, that my tongue
rushes to fill because I can’t stand vacancies.

And it’s not enough. The penis just fills another
gap. And it’s not enough.

When you look at me,
know that more than white is missing.

.

From The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
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About the meaning read this post by Tara Betts: ““Lessons from a Mirror” is from Moss’ third collection. Pyramid of Bone was part of the Callaloo Poetry Series, which published early books by Rita Dove, Brenda Marie Osbey, and Elizabeth Alexander.

Lessons from a Mirror” is a concise gathering of 10 couplets that articulates the contrast between a woman of color and someone who she will never be, Snow White.

[…]

This not only implies a sense of possible servitude but a sense that a shadow, darkness will always be beneath whiteness that

darkness must bow and defer as an underling.

[…]

“And it’s not enough.” To say this, recalls how black people have often had to work much

harder to gain a toehold

similar to counterparts of another race, a toehold that has become increasingly more difficult to gain as shown in recent Pew Research Center study about wealth accumulation and loss in the U.S..

[…]

After revisiting Anne Sexton’s poems in Transformations or Lucille Clifton’s biblical poems many times and looking at recent work like Barbara Jane Reyes’ Diwata, Marjorie Tesser’s The Magic Feather, Aimee Nezhukumatathil’s Miracle Fruit, Angela Carter’s The Bloody Chamber, and the anthology The Poets’ Grimm, I’m reminded of how necessary

and jarring it is to see

archetypal stories deconstructed, retold, or even replaced with more inclusive stories.”

USED and NEW– books by Tara Betts at abebooks!

Tune for a Teenage Niece, Eugene B. Redmond

Tune for a Teenage Niece

Smile/ rippling river of dance—
Flow, blow green soul-lyre
Ballooning under brown flesh
Song/swirl, startling as claps
Of unexpected waves;
Girlriver dancing its drumdeep past,
Its boogalooborn/e day,
Fluteflown afro freight
Grandmother/mamma/aunt—sun-led—
Yesterwhistling confluence
.                       /childwoman and charmsong:
.                       Brown blues and honey-river, girl!
.                       Girlmother gonna sing her song someday, boy !
.                       Brown blues and honey-river, girl!”
Smile/river dancing, splashing flame-waves
Applaud and burn/mold brownfruit,
Afro-plum,
River symphony, water ritual:
.                       “Brown blues and honey-river, girl!”
Girlriver, spiced as pot liquor, flowing up/under
From queenmother’s heartbeam; from magic and marmelade
Fluteflown to fleshdance and birdgrace:
Flowing to omen, to woman:
.                       “Brown blues and honey-river, girl!”
.
.
Fantastic compilation of black voices: buy the book.

NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

.

.

The Night is beautiful, So the faces of my people. Langston Hughes.

The film Selma was heart-aching. One of the most beautiful shots was where Dr. King phones Mahalia Jackson and asks to hear the voice of the Lord and she sings to him My Precious Lord. 

Listen to the song hhttps://www.youtube.com/watch?v=N1ceCpU25vA

My people

 
The night is beautiful,
So the faces of my people.

The stars are beautiful,
So the eyes of my people.

Beautiful, also is the sun.
Beautiful, also, are the souls of my people.

NEW and USED: http://www.abebooks.com/servlet/SearchResults?sts=t&tn=oxford+anthology+of+african-american+poetry
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.

KOKUMỌ: Lucille Clifton. Grandsons!!

CLIFTON_resized

KOKUMỌ

Photographs, my grandsons spinning in their joy.

universe
keep them turning —turning
black blurs against the window
of the world
for they are beautiful
and there is trouble coming
round and round and round

Lucille Clifton
In: the Oxford Anthology of African-American Poetry.
Ed. Arnold Rampersad; Associate Ed. Hilary Herbold.

 

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If my slumlord allowed pets- Amber Atiya

tumblr_nedo53sYwC1teummlo1_1280

Second from right. Photo at http://amberatiya.tumblr.com

 

if my slumlord allowed pets

i’d adopt every
after hour paw
mauled in battle

trimmed with scabs
toppling trash
for fries & wing tips

fur splattered
with egg foo young

these streets
weren’t paved
for tenderness

a tabby’s pregnant belly
low-hanging
as a rain cloud

a swollen nimbus
grazing the ground

by Amber Atiya
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‪#‎BlackVoicesMatter‬
‪#‎BlackPoetsFTW‬
‪#‎GeniusBlackAmerica‬

http://www.poetshouse.org/programs-and-events/workshops-classes-residencies/emerging-poets-residency/amber-atiya

Amber Atiya, a queer poet and native Brooklynite, has performed at the Nuyorican Poets Café, Theater for the New City, Westbeth Center for the Arts, and many elsewheres. Her poems have been published in Tribes MagazineDrunken Boat, and Coloring Book, an anthology of multicultural writers. She is a member of a women’s writing group, with whom she’s been writing for ten years and counting.

From: Citizen by Claudia Rankine

Rankine-Claudia-hr
Image Credit: CSU Fullerton
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CLAUDIA RANKINE co-edited the anthology American Women Poets in the 21st Century: Where Lyric Meets Language, and her work is included in several anthologies, including Great American Prose Poems: From Poe to the Present, Best American Poetry 2001, Giant Step: African American Writing at the Crossroads of the Century, and The Garden Thrives: Twentieth Century African-American Poetry. Her work has been published in numerous journals including Boston Review, TriQuarterly, and The Poetry Project Newsletter. She lives and teaches in California. She is the Holloway/Mixed Blood poet for the spring series.
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You are in the dark, in the car, watching the black-tarred street being swallowed by speed; he tells you his dean is making him hire a person of color when there are so many great writers out there.
/
You think maybe this is an experiment and you are being tested or retroactively insulted or you have done something that communicates this is an okay conversation to be having.
Why do you feel okay saying this to me? You wish the light would turn red or a police siren would go off so you could slam on the brakes, slam into the car ahead of you, be propelled forward so quickly both your faces would suddenly be exposed to the wind.
/
As usual you drive straight through the moment with the expected backing off of what was previously said. It is not only that confrontation is headache producing; it is also that you have a destination that doesn’t include acting like this moment isn’t inhabitable, hasn’t happened before, and the before isn’t part of the now as the night darkens 
and the time shortens between where we are and where we are going.
/
When you arrive in your driveway and turn off the car, you remain behind the wheel another ten minutes. You fear the night is being locked in and coded on a cellular level and want time to function as a power wash. Sitting there staring at the closed garage door you are reminded that a friend once told you there exists a medical term — John Henryism — for people exposed to stresses stemming from racism. They achieve themselves to death trying to dodge the build up of erasure. Sherman James, the researcher who came up with the term, claimed the physiological costs were high. You hope by sitting in 
silence you are bucking the trend.
/
When the stranger asks, Why do you care? you just stand there staring at him. He has just referred to the boisterous teenagers in Starbucks as niggers. Hey, I am standing right here, you responded, not necessarily expecting him to turn to you.
He is holding the lidded paper cup in one hand and a small paper bag in the other. They are just being kids. Come on, no need to get all KKK on them, you say.
Now there you go, he responds.
The people around you have turned away from their screens. The teenagers are on pause. There I go? you ask, feeling irritation begin to rain down. Yes, and something about hearing yourself repeating this stranger’s accusation in a voice usually reserved for your partner makes you smile.
/
A man knocked over her son in the subway. You feel your own body wince. He’s okay, but the son of a bitch kept walking. She says she grabbed the stranger’s arm and told him to apologize: I told him to look at the boy and apologize. And yes, you want it to stop, you want the black child pushed to the ground to be seen, to be helped to his feet and be brushed off, not brushed off  by the person that did not see him, has never seen him, has perhaps never seen anyone who is not a reflection of himself.
The beautiful thing is that a group of men began to stand behind me like a fleet of  bodyguards, she says, like newly found uncles and brothers.
/
The new therapist specializes in trauma counseling. You have only ever spoken on the phone. Her house has a side gate that leads to a back entrance she uses for patients. You walk down a path bordered on both sides with deer grass and rosemary to the gate, which turns out to be locked.
At the front door the bell is a small round disc that you press firmly. When the door finally opens, the woman standing there yells, at the top of her lungs, Get away from my house. What are you doing in my yard?
It’s as if a wounded Doberman pinscher or a German shepherd has gained the power of speech. And though you back up a few steps, you manage to tell her you have an appointment. You have an appointment? she spits back. Then she pauses. Everything pauses. Oh, she says, followed by, oh, yes, that’s right. I am sorry.
I am so sorry, so, so sorry.
/
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 .
 .

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Black History Month- British black poet Shamshad Khan “High Time.”

Black History Month- British black poet Shamshad Khan:

“High Time”

Black elephants 
jazz dancing
gold and red
grin
i imagine
they wave
as they pass the window
of my third floor flat
just in case they are
i wave back

 

The Fire People: Collection of Contemporary Black British Poets
NEW and USED: Abebooks.com The Fire People

Obi Nwakanma- four seasons!! And now it is so so very cold here. Nigeria!

image_column-one

Favourite lines:

Icicles fall from trees,...they limber
like the gods terrified into silence,
like tall brooding deities looming out of the fog:

The cypress -whitening-
...;wearing her best habit,
a pale green in the forest of ghosts-

And so I walk through this windless night
through the narrow imponderable road
through the silence - the silence of trees- 

I hear not even the gust of wind
I hear only the quiet earth, thawing underneath;
I hear the slow silent death of winter-

when the sun is yellowest

...to every good, to every
flicker of stars along the pine
shadows;
to every tussle with lucid dusk,
to every moonlit pledge, to
every turn made to outleap
silvery pollen, 

I have desired to listen,...


USED and NEW: http://www.abebooks.com/servlet/BookDetailsPL?bi=2685567879
NEW through independent bookstores, book on Nigerian lyrical poet: http://www.indiebound.org/book/9781847010131

“Obi Nwakanma is one of the Nigerian literary awards winning troika invited by Harvard University to represent New Voices From Nigeria at a recent Africa Events Reading (the other two being Maik Nwosu and Akin Adesokan also featured on this site).

Poet and journalist, he featured at the Poetry International Festival in 1995.

Holder of a BA degree from the University of Jos in Nigeria, Nwakanma was a visiting scholar at one of the pre-eminent universities in Nigeria, UN at Nsukka. Formerly an Assistant Editor at the Sunday Vanguard, he is currently a visiting scholar at The Meeting School, Rindge, NH, where he teaches Literature, Creative Writing and Journalism.”

http://www.poetrysoup.com/biography/obi_nwakanma

“Thirsting for Sunlight, his biography of the tragic modernist poet, Christopher Okigbo, was published by James Currey (UK) in 2010.
His collection of poems, The Horsemen & Other Poems, was published by Africa World Press (New Jersey) in 2007. Nwakanma’s first collection of poems, The Roped Urn, was awarded the Cadbury Prize in 1996 by the Association of Nigerian Authors, and he received the Walter J. Ong Award for Distinguished Achievement in 2008 from Saint Louis University.
His poetry, fiction and essays have appeared in various anthologies and publications including Okike, Vanguard Review, Callaloo, and Wasafiri. His poetry has been translated into Spanish, Dutch, German, and Turkish.
Obi Nwakanma has also worked as a professional journalist, reporting internationally for Newsweek, Neue Zurcher Zeitung, and as Group Literary editor for the Vanguard,one of the major national newspapers in Nigeria, for which he continues to write a weekly column, “The Orbit” in the Sunday Vanguard.
5474688568_2a1f5c5b3b_b He is currently working on a novel, a new collection of poems, and a book on The Mbari Movement, Transnationalism and Modern African Literature.”
In FULL:
ICICLES fall from trees, molten with age, 
without memory - they stand aloof in their 
nakedness - they limber; 
like the gods terrified into silence, 
like tall brooding deities looming out of the 
fog: 

The forest hugs them 
carves them into stones, 
Etches them into the slow 
eastern landscape: rivers, hills 
the slow running water, 
times broken inscapes…

The willows are burdened with ice 
the white shrouds of burial spread 
upon the earth's ravaged face; the eyes 
unseeing, the mouth unspeaking, 
a gust of wind proclaims the anger of 
immemorial ages; the cycle, the 
eternal ritual of mystical returns - 

The cypress - whitening -
boneless; wearing her best habit, 
a pale green in the forest of ghosts -

And so I walk through this windless night 
through the narrow imponderable road 
through the silence - the silence of trees -

I hear not even the gust of wind
I hear only the quiet earth, thawing underneath; 
I hear the slow silent death of winter -

where the sun is yellowest.
 
But above, Monadnock looms 
like some angry Moloch, her 
white nipple seizing the space

drained of all milk.
.
.
 

A she-devil beckoning to worshippers 
seductive - her arm stretching outwards -
to this lonely pilgrim
lost in the mist: 

Behold the school of wild bucks 
Behold the meeting of incarnate 
spirits -
Behold the lost souls bearing tapers 
in rags of rich damask, 
Down Thomas - the saint of 
unbelievers - down the road to bliss 
Down to the red house, uncertain 
like a beggar's bowl hanging unto the cliff 
of withdrawn pledges, where the well is 
deepest.
.
.
 

I have dared to live 
beneath the great untamed.
 

To every good, to every 
flicker of stars along the pine 
shadows; 
To every tussle with lucid dusk, 
To every moonlit pledge, to 
every turn made to outleap 
silvery pollen, 

I have desired to listen - to listen -
to the ripening of seasons.
.
.
.
 

Winter 2001
This is ONE of a continuing sequence.

James Weldon Johnson- Black Mammy

Beautiful poem on why care-takers deserve to become permanent residents in Canada (Filipina, Caribbean). Fill in the arguments. By James Weldon Johnson, African-American poet.

THE BLACK MAMMY

O whitened head entwined in turban gay,
O kind black face, O crude, but tender hand,
O foster-mother in whose arms there lay
The race whose sons are masters of the land!
It was thine arms that sheltered in their fold,
It was thine eyes that followed through the length
Of infant days these sons. In times of old
It was thy breast that nourished them to strength.

So often hast thou to thy bosom pressed
The golden head, the face and brow of snow;
So often has it ‘gainst thy broad, dark breast
Lain, set off like a quickened cameo.
Thou simple soul, as cuddling down that babe
With thy sweet croon, so plaintive and so wild,
Came ne’er the thought to thee, swift like a stab,
That it some day might crush thine own black child?

from Fifty Years & Other Poems (1917)

 

MY CITY- J.W. Johnson

When I come down to sleep death’s endless night,
The threshold of the unknown dark to cross,
What to me then will be the keenest loss,
When this bright world blurs on my fading sight?
Will it be that no more I shall see the trees
Or smell the flowers or hear the singing birds
Or watch the flashing streams or patient herds?
No, I am sure it will be none of these.

But, ah! Manhattan’s sights and sounds, her smells,
Her crowds, her throbbing force, the thrill that comes
From being of her a part, her subtle spells,
Her shining towers, her avenues, her slums–
O God! the stark, unutterable pity,
To be dead, and never again behold my city!

For the love of words. And the freedom to love.

bettsxr-dwayne-betts

Photo by H. Darr Beiser. Photo by Rachel Eliza Griffiths!

About his being locked up as an “adult” as a 16 year old in a men’s prison.

dwayne-betts

Photo by Gesi Schilling.

“For you: anthophilous, lover of flowers”

BY REGINALD DWAYNE BETTS

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For you: anthophilous, lover of flowers,
green roses, chrysanthemums, lilies: retrophilia,
philocaly, philomath, sarcophilous—all this love,
of the past, of beauty, of knowledge, of flesh; this is
catalogue & counter: philalethist, negrophile, neophile.
A negro man walks down the street, taps Newport
out against a brick wall & stares at you. Love
that: lygophilia, lithophilous. Be amongst stones,
amongst darkness. We are glass house. Philopornist,
philotechnical. Why not worship the demimonde?
Love that—a corner room, whatever is not there,
all the clutter you keep secret. Palaeophile,
ornithophilous: you, antiquarian, pollinated by birds.
All this a way to dream green rose petals on the bed you love;
petrophilous, stigmatophilia: live near rocks, tattoo hurt;
for you topophilia: what place do you love? All these words
for love (for you), all these ways to say believe
in symphily, to say let us live near each other.
.
.
About his being locked up as an “adult” as a 16 year old in a men’s prison.
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.
Tax cuts mean less time to read, fewer hours of access per month in the prison library- no they can’t go every day. Please.
Your tax cuts take humanity away from other persons.
.
Your tax cuts mean no time for therapy, no time to prepare for the living world, no time to better yourself, no strength to stay away, no better neighbourhood to return to, no vote. No voice.
.
And yes, everyone deserves to be heard, even if you sold coke or weed (that’s what the majority of black men are in prison for) or killed someone or defrauded thousands of people or paid your employees too little. They are people.
.
You have done wrong. Everybody has skeletons. If you’ve done your time, you should be given all your rights back.
.
Anyway.

James Baldwin- poet!!!

Lord,
            when you send the rain,
            think about it, please,
            a little?
     Do
            not get carried away
            by the sound of falling water,
            the marvelous light
            on the falling water.
        I
            am beneath that water.
            It falls with great force
            and the light
Blinds
            me to the light.
                   — Untitled

Lula Lowe Weeden- Black Poet full of surprises and twists!

Do you know of the poet Lula Lowe Weeden? She is amazing and has these surprises in her poems!

“Robin Red Breast”

Little Robin red breast,
I hear you sing your song.
I would love to have you put it into my little cage,
Into my little mouth.

“Dance”

Down at the hall at midnight sometimes,
You hear them singing rhymes.
These girls are dancing with boys.
They are too big for toys.

From “Caroling Dusk: an Anthology of Verse by Black Poets.” Edited by Countee Cullen.

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Black History- Poems about The Body. Calvin Forbes, “Picture of a Man”

Image

Poems about The Body. Calvin Forbes, Black poet- “Picture of a Man”

He draws a man,
bright swirls of red.
And I say give me a tree.
He points to the middle
of his red and says
“there’s a tree!”
Tonight without complaining
he goes off to sleep
asking why in his story book
the big boats have little
boats. He shouts
goodnight: I ask if he wants
the lights out-

he says no, that he can’t see
without the light.
A different excuse than
last night when he was plain scared.
Later I turn off the light-
his face soft as a breast.
And I know then what another man
meant when he said
maybe I could have loved
better
but couldn’t have loved more.
I thought of a woman like that once.
This child is all I have left…

—–

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http://www.poetryfoundation.org/bio/calvin-forbes

“Calvin Forbes teaches writing, literature, and jazz history at the School of the Art Institute in Chicago. Blues and jazz inform both the rhythm and content of his poetry. He often uses ballads to tell family stories or the ups and downs of romance. But Forbes updates the tradition with surreal techniques, epigrammatic humor, and changing voices. He described his work as “simplicity shacked up with complexity.” His first book, Blue Monday, appeared in 1974 and his most recent, The Shine Poems, a book that resurrects the African-American folk character, was issued in 2001.”Image