A Beautiful Town by Haya Pomrenze #poem #Jewish #death #mourning

A Beautiful Town by Haya Pomrenze

When my father died I was twelve hundred miles away
because a giggly-bosomed hospice nurse
in loud pink scrubs chirped
that it could be weeks, even a month.
That evening he had mushroom barley soup
then gave each child an I love you.
Over the phone it sounded like a regular I love you
not a final phrase, which is why
you have to see people when they speak to you.
I wish I could say that looking back
I heard my father’s wet cough, his rattled breath
a long pause, which forced me to board a plane.
Instead that night my father went to the bathroom
with his walker and his Jamaican aide he loved like a daughter,
which makes me feel happy and sad. His kidneys shut down
the way his face did when he was hurt or angry.
Back in the railed hospital bed he counted down in real time
the same way he did when we were late for carpool or synagogue.
Five minutes, four minutes, faltered at three.
He made it to one minute, eyes at half-mast.
It’s a beautiful town, he said.

—from Rattle #45, Fall 2014
Tribute to Poets of Faith

__________

Haya Pomrenze: “With the exception of eating rice pudding and chocolate babka, writing poetry is the closest I’ve come to a true spiritual experience. I’m a believer in God on my own terms. I write poems in synagogue, on carpool line, while having sex, working with my psych patients. I have absolute faith in a higher power when I write. There’s a bit of the divine in my mortal words.”

Intercity by Margarida Vale de Gato #sex #poem #love

Intercity

we ride down the backs of hills inside
the earth eating eucalyptus eating haystacks
spitting out the wind spitting out time spitting out
time
time the trains gulp the opposite way going
the opposite way stealing our time my love

I need you who are flying
to me
but you fly unfurling sails over the sea
you have wing-space you hover you drift while I
keep crawling towards you along the rails
with occasional sparks I write to you my love
cheating your absence the claustrophobia of the mustard
coloured curtains you walk on water and now
I know
words are less worthy than boats

I need you my love in this loneliness this forsakenness
of thick curtains preventing the sun preventing my
flight and nevertheless on the opposite side
the sky boasts little lamb clouds hopping
hopping on oats and wheat fields there are none here
we eat eucalyptus eucalyptus and whitewashed churches
leaning over level-crossing whitewashed churches
my love
I smoke a cigarette in between two stops I read
Lobo Antunes I think people are sad people
are so sad people are pathetic my
love just as well you hide me from the world you hide
me from the world’s patronising smiles the world’s
self-righteous consent
by night on your loins my love I
am also a boat sitting on top of your body
I am a mast

I need you my love I am tired I ache
close to where my eyes are set I feel like crying still I
desire you but before before you touch me before you say
I want you my love you shall let me sleep a hundred years
a hundred years from today we’ll be boats again
I am lonely
Portugal is everlasting we eat eucalyptus
everlasting eucalyptus lean and green
we eat eucalyptus interspersed with shrubs
we eat eucalyptus the ache of your absence my love
we eat this heat and the railtracks and anguish
set ablaze inside Lobo Antunes’ novel
we eat eucalyptus and Portugal is everlasting Portugal
is huge and I need you and in the opposite way they are stealing
time it’s our time they are stealing my love it’s time
time for us to be boats and sail through walls inside rooms
my love to be boats at night
at night to blow oh sweetly blow into full sail

boats.

 

Intercidades

galopamos pelas costas dos montes no interior
da terra a comer eucaliptos a comer os entulhos de feno
a cuspir o vento a cuspir o tempo a cuspir
o tempo
o tempo que os comboios do sentido contrário engolem
do sentido contrário roubam-nos o tempo meu amor

preciso de ti que vens voando
até mim
mas voas à vela sobre o mar
e tens espaço asas por isso vogas à deriva enquanto eu
vou rastejando ao teu encontro sobre os carris faiscando
ocasionalmente e escrevo para ti meu amor
a enganar a tua ausência a claustrofobia de cortinas
cor de mostarda tu caminhas sobre a água e agora
eu sei
as palavras valem menos do que os barcos

preciso de ti meu amor nesta solidão neste desamparo
de cortinas espessas que impedem o sol que me impedem
de voar e ainda assim do outro lado
o céu exibe nuvens pequeninas carneirinhos a trotar
a trotar sobre searas de aveia e trigais aqui não há
comemos eucaliptos eucaliptos e igrejas caiadas
debruçadas sobre os apeadeiros igrejas caiadas
meu amor
eu fumo um cigarro entre duas paragens leio
o Lobo Antunes e penso as pessoas são tristes as
as pessoas são tão tristes as pessoas são patéticas meu
amor ainda bem que tu me escondes do mundo me escondes
dos sorrisos condescendentes do mundo da comiseração
do mundo
à noite no teu corpo meu amor eu
também sou um barco sentada sobre o teu ventre
sou um mastro

preciso de ti meu amor estou cansada dói-me
em volta dos olhos tenho vontade de chorar mesmo assim
desejo-te mas antes antes de me tocares de dizeres quero-te
meu amor hás-de deixar-me dormir cem anos
depois de cem anos voltaremos a ser barcos
eu estou só
Portugal nunca mais acaba comemos eucaliptos
eucaliptos intermináveis longos e verdes
comemos eucaliptos entremeados de arbustos
comemos eucaliptos a dor da tua ausência meu amor
comemos este calor e os caminhos de ferro e a angústia
a deflagrar combustão no livro do Lobo Antunes
comemos eucaliptos e Portugal nunca mais acaba Portugal
é enorme eu preciso de ti e em sentido contrário roubam-nos
o tempo roubam-nos o tempo meu amor tempo
o tempo para sermos barcos e atravessar paredes dentro dos quartos
meu amor para sermos barcos à noite
à noite a soprar docemente sobre as velas acesas

barcos.

© Translation by Margarida Vale de Gato and Ana Hudson, 2010

in Mulher ao Mar, 2010http://www.poemsfromtheportuguese.org/Margarida__Vale_de_Gato

The Bagel & Rescue The Dead, Ignatow #poem

The Bagel

I stopped to pick up the bagel
rolling away in the wind,
annoyed with myself
for having dropped it
as if it were a portent.
Faster and faster it rolled,
with me running after it
bent low, gritting my teeth,
and I found myself doubled over
and rolling down the street
head over heels, one complete somersault
after another like a bagel
and strangely happy with myself.

 

And this weird, ridiculous, desperate and lovely poem…He sounds so depressed. Obviously  everything that he describes as not being love, can be love. Love of the small things in your day. A commitment not to draw attention to drama- which is fine, if you work through the drama at some point. Anyway. It is interesting to see his muted style.

Rescue the Dead

Finally, to forgo love is to kiss a leaf,
is to let rain fall nakedly upon your head,
is to respect fire,
is to study man’s eyes and his gestures
as he talks,
is to set bread upon the table
and a knife discreetly by,
is to pass through crowds
like a crowd of oneself.
Not to love is to live.

To love is to be led away
into a forest where the secret grave
is dug, singing, praising darkness
under the trees.

To live is to sign your name,
is to ignore the dead,
is to carry a wallet
and shake hands.

To love is to be a fish.
My boat wallows in the sea.
You who are free,
rescue the dead.

—David Ignatow

From: Contemporary American Poetry edited by Donald Hall

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Beatriz Hierro Lopes-It’s almost dark #sexwork is decent

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B/W 1951 Caucasian boy + Black girl walking on rural train tracks / Louisiana / documentary shot credit: Archival Films? No known artist.

It’s almost dark.
Women of different ages await the arrival of someone […] While waiting, they talk to the stones with eyes that bear the widowhood of days. I’ve seen them all my life. Away from the stones, close to the sea. In the days when striped beach huts were hired, picnic lunches and folding chairs were taken to the sand and the children were learning to swim in the sea, well away, golden little dots appearing in the tides. I can see their whole lives. They used to arrive in the morning and leave when the afternoon came to an end, shaking the sand off their feet. Their faces broken by the sun reach out today to the stones’ muteness. I see them and I walk on: this street is a route far too far away from the sea.
It’s dark. The traffic lights illuminate the clearings. The city is a forest where each man is a model for the meagreness of the vineyards. Slow, they walk along the avenue, vine bodies burnt by the January moonlight. The wind triggers no movement at all, not a single gesture: only twigs lie along the dark overcoat of these cold days. These are no women to be talking to stones. […]  I see them coming up the avenue, their shadows going down it, piercing them like a section of a past to which returning is not denied. Each one separate, divided, two marching selves, walking the streets in opposite directions and none truly knows up to which point they’re allowed to go back.
[…]

Beatriz Hierro Lopes

Translated by Ana Hudson, 2015

http://www.poemsfromtheportuguese.org/Beatriz_Hierro_Lopes

“Beatriz Hierro Lopes was born in Porto. She has a degree in History.
Poetry books since 2000: É quase noite (2013), Espartilho (2015)”

É quase noite.
Mulheres de diferentes idades esperam a chegada de quem as há-de levar. Enquanto esperam, falam às pedras com os olhos que carregam a viuvez dos dias. Vi-as toda a vida. Longe das pedras, junto ao mar. Quando se alugavam barracas listadas, se levava almoço e cadeiras desdobráveis para a areia, os miúdos aprendendo a nadar no mar, distantes delas, sendo só os seus pontinhos dourados, aparecendo entre marés. Vejo-lhes toda a vida. Chegavam de manhã e partiam ao fim da tarde, sacudindo dos pés a areia. Rostos quebrados de sol que hoje convergem até à mudez das pedras. Vejo-as e passo: esta rua é um caminho demasiado distante do mar.
Está escuro. As luzes dos semáforos alumiam as clareiras. A cidade é uma floresta em que cada homem serve de modelo à magreza das videiras. Marcham lentos ao longo da avenida, corpos de vinha queimada pelo luar de Janeiro. Nenhum movimento é despoletado pelo vento, nem um só gesto: só galhos estendidos ao longo do sobretudo negro destes dias frios. Não são mulheres que falem às pedras. São os homens para quem o haver ainda rosto é uma irregularidade que brevemente será suprimida. Uma individualidade que se esgota na divergência entre o andar recto e o andar por dentro. Vejo-os caminhando avenida acima, e as suas sombras caminhando avenida abaixo, atravessando-os como parte de um passado a que não negam regresso. Cada um separado, dividido, dois eus caminhantes, passeando pelas ruas em direcções opostas, sem que alguém saiba verdadeiramente até onde se pode regressar.
Voltar só é possível até um certo ponto. Regressa-se e regressa-se à possibilidade possível, e o que não é possível, o voltar à forma original, embrionária de colo materno, mantém-se na linha questionável deste horizonte que os braços podados das videiras já não podem alcançar. Resta-lhes isto, o corpo metafórico de uma ideia que apenas existe como forma de dizer: — já é noite há tanto tempo.

 

 

 

 

 

Everett Hoagland it matters only that there is black power in your loving #BlackLivesMatter #poem

honeystain…
the rhetoricians of blackness
matters me not
we are black
and you are beautiful

it matters me not whether
your breast are American pumpkin or
African gourds
they are full and you are beautiful

it matters me not be your belly
black or brown
it is soft and you are beautiful

it matters me not be your buttocks
bourgeois or “grass roots”
they are good
and you are beautiful

it matters me not if your bread loaf
thighs are Negro or Afro-American
they are round and so ripe
and you are so beautiful

it matters not whether it is
Victoria falls within your orgasms
instead of Niagara

there is little definition I need
indeed
it matters only that there is
black power
in your loving

this I know
you are beautiful
you are beautiful beyond reference
you are the night interpreted
you are
you…

Everett Hoagland ‘the Anti-Semanticist’

Black History Month

Give it a chance to seek the sunlight for itself #poem #BlackLivesMatter #BlackWomanMagic

Maya Angelou Walking Along Beach

Woman with Flower
Naomi Long Madgett

I wouldn’t coax the plant if I were you.
Such watchful nurturing may do it harm.
Let the soil rest from so much digging
And wait until it’s dry before you water it.
The leaf’s inclined to find its own direction;
Give it a chance to seek the sunlight for itself.

Much growth is stunted by too careful prodding,
Too eager tenderness.
The things we love we have to learn to leave alone.

The Oxford Anthology of African-American Poetry

 

I return to my beloved world #Sotomayor #SCOTUS #poem #ValentinesDay

0463_Puerto_Rican_Tody_Nate_Zeman.jpg
http://www.natezeman.com/photo/san-pedrito/

Forgive the exile

This sweet frenzy:

I return to my beloved world,

In love with the land where I was born.

– from “To Puerto Rico (I Return),” by José Gautier Benítez

SF Gate: Born in New York, she returns to Puerto Rico as a child to visit her family and recapture the sights, the blue of the ocean where it meets the sky and the almost sweet taste of coconut milk sipped by a straw through a hole punctured in a fresh green coconut, not one of the “shriveled hairy brown things” sold on the streets of the Bronx. Sonia sips and tastes her “beloved world” – filled with exotic flavors and savored most often in the company of her vast extended family.

#BlackLivesMatter #poem “You is kind,” she say, “you is smart. You is important.”

Last page of The Help.

 

And then she say it, just like I need her to. “You is kind,” she say, “you is smart. You is important.”

But at the same time feeling, in a way, that I’m free, like Minny. Freer than Miss Leefolt, who so locked up in her own head she don’t recognize herself when she read it…

I head down the hot sidewalk at eight thirty in the morning wondering what I’m on do with the rest a my day. The rest a my life. I am shaking and crying and a white lady walk by frowning at me. The paper gone pay me ten dolars a week, there’s the book money plus a little more coming. Still it ain’t enough for me to the rest a my life on…

The sun is bright but my eyes wide open. I stand at the bus stop like I been doing for forty-odd years. In thirty minutes, my whole life’s …done. Maybe I ought to keep writing, not just for the paper, but something else, about all the people I know and the things I seen and done. Maybe I ain’t too old to start over, I think and I laugh and cry at the same time at this. Cause just last night I thought I was finished with everything new.

Like a prince, a jazz prince. And I love Your eyes flashing #BlackHistoryMonth #poem

Poem
by Helene Johnson

Little brown boy,
Slim, dark, big-eyed,
Crooning love songs to your banjo
Down at the Lafayette–
Gee, boy, I love the way you hold your head,
High sort of and a bit to one side,
Like a prince, a jazz prince.   And I love
Your eyes flashing, and your hands,
And your patent-leathered feet,
And your shoulders jerking the jig-wa.
And I love your teeth flashing,
And the way your hair shines in the spotlight
Like it was the real stuff.
Gee, brown boy, I loves you all over.
I’m glad I’m a jig. I’m glad I can
Understand your dancin’ and your
Singin’, and feel all the happiness
And joy and don’t care in you.
Gee, boy, when you sing, I can close my ears
And hear tom-toms just as plain.
Listen to me, will you, what do I know
About tom-toms? But I like the word, sort of,
Don’t you? It belongs to us.
Gee, boy, I love the way you hold your head,
And the way you sing, and dance,
And everything.
Say, I think you’re wonderful.    You’re
Allright with me,
You are.

#BlackHistoryMonth I love black men by Kukumo #TransIsBeautiful

Tiq Milan in NOW Magazine and the NYT.

Black* Transwoman to Black Cis/Transman: An Open Letter/Poem for Trayvon and the Rest of Us

Two extracts below. For full poem click on link.
Donate monthly to BlackGirlDangerous here.
07/14/13

By KOKUMO

ATTENTION WORLD:

I, LOVE, BLACK* MEN.

From the drug dealers, heart surgeons, stuck at rock bottom, ten years sober, servin’ a dime to life, ex-con turned youth-minister, trans*, gay, D.L., paraplegic, Olympic gold-medal winnin’, current U.S. presidency presidin’, illiterate, artistic, broke as a joke, ballin’, dark-skindid, light-skindid, country-bama, Brooklyn-bred, OG, GD, Rasta bombaclot, to the European transplant and etc.

And no matter how many Jim Crow laws you revise, nothin’ can change that. I grew up with black* men. I’ve fought with black* men. And black* men have fought, for me. Hell, I was supposed to be, a black*, man. I’ve been insulted by black* men. I’ve been consoled by black* men. I’ve been schooled, had my socks knocked off, and mind blown by black* men. I’ve loved black* men, and had the privilege of having them love me back.

(…)

ATTENTION BLACK MEN:

Black* transwoman to black* cis/trans* man. I revere and respect you for living brave in a world that hunts you with hypocritical indignation. I thank you for living in the body I couldn’t and doing it with such swag, intellect, and a vengeance.

As a black* transwoman I want you to know that I never abandoned you or took the easy way out. A war was waged on black* bodies the moment the first slave touched Virginian soil in the 1600′s. So I transitioned from “male” to “female” because I just needed to be in more comfortable battle fatigues.

(…)

“KOKUMỌ is an African-American transgender woman and product of Chicago’s South Side. To KOKUMỌ surviving is passé. Therefore, she believes in sanctioning artistic, political, and actual space for other Trans, Gender Non-Conforming, and Intersex (TGI) people of color to thrive in. In accordance to this belief and her name, she created KOKUMỌMEDIA. KOKUMỌMEDIA uses film, music, and literature to create and generate realistic depictions of TGI people of color.”

Click on link: http://www.blackgirldangerous.org/2013/07/2013714black-transwoman-to-black-cistransman-an-open-letterpoem-for-trayvon-and-the-rest-of-us/

Donate to BlackGirlDangerous here: http://www.blackgirldangerous.org/donate/

 

#idlenomore #iNeedFeminismBecause Water Under World by Hannah Faith Notess! Faith and the Lost River of the Pharaohs.

aboriginal-girl-arnhem-land-wading-615-2

Photo by Amy Tensing of an Australian aboriginal girl/child.

Hannah Faith Notess

WATER UNDER WORLD

That river had me marked
as soon as I drifted underground.

I palmed the coins from my eyes
and leapt from the raft into dark water

as cat-eyed goddesses watched me,
whirring their displeasure. From fog

a young god emerged and gathered me
against his body, dripping, onto the bank.

Of course I worshipped him. Of course
I should begin again. Eighth grade:

I wanted a shirtless lifeguard
at the waterpark to see me, so I leapt

from the flotilla of plastic innertubes
into the waist-deep canal, where spotlit

mummies craned animatronic necks.
He came. He rustled, furious,

from a plastic hedge and banned
me from the Lost River

of the Pharaohs for life. No Nile.
No Underworld. Cast out,

sunburned, that night I drifted,
thought of diving, as the waves kept

rocking me, like hands
on my shoulders. Now I could die

because a boy had held me and
his anger made him warm.

 

Via Rattle.com’s website here.

More information on Hannah Faith Notess here.

 

#BlackHistoryMonth #poem i am running into a new year by Lucille Clifton

i am running into a new year by Lucille Clifton

i am running into a new year
and the old years blow back
like a wind
that i catch in my hair
like strong fingers like
all my old promises and
it will be hard to let go
of what i said to myself
about myself
when i was sixteen and
twentysix and thirtysix
even thirtysix but
i am running into a new year
and i beg what i love and
i leave to forgive me

—Lucille Clifton, Good Woman: Poems and A Memoir 1969-1980

From: The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

#BlackHistoryMonth Walking Down Park by Nikki Giovanni #iNeedFeminismBecause

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Walking Down Park

BY NIKKI GIOVANNI

walking down park
amsterdam
or columbus do you ever stop
to think what it looked like
before it was an avenue
did you ever stop to think
what you walked
before you rode
subways to the stock
exchange (we can’t be on
the stock exchange
we are the stock
exchanged)
.
did you ever maybe wonder
what grass was like before
they rolled it
into a ball and called
it central park
where syphilitic dogs
and their two-legged tubercular
masters fertilize
the corners and side-walks
ever want to know what would happen
if your life could be fertilized
by a love thought
from a loved one
who loves you
 .
ever look south
on a clear day and not see
time’s squares but see
tall Birch trees with sycamores
touching hands
and see gazelles running playfully
after the lions
ever hear the antelope bark
from the third floor apartment
 .
ever, did you ever, sit down
and wonder about what freedom’s freedom
would bring
it’s so easy to be free
you start by loving yourself
then those who look like you
all else will come
naturally
 .
ever wonder why
so much asphalt was laid
in so little space
probably so we would forget
the Iroquois, Algonquin
and Mohicans who could caress
the earth
 .
ever think what Harlem would be
like if our herbs and roots and elephant ears
grew sending
a cacophony of sound to us
the parrot parroting black is beautiful black is beautiful
owls sending out whooooo’s making love …
and me and you just sitting in the sun trying
to find a way to get a banana tree from one of the monkeys
koala bears in the trees laughing at our listlessness
 .
ever think its possible
for us to be
happy
 .
.

Nikki Giovanni, “Walking Down Park” from The Selected Poems of Nikki Giovanni. Copyright © 1996 by Nikki Giovanni. Used with the permission of HarperCollins Publishers.

Source: The Collected Poems of Nikki Giovanni (2003)

.

.

From: The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

The Gods Wrote #blacklivesmatter South Africa

THE GODS WROTE
We are breath of drop of rain
Grain of sea sand in the wind
We are root of baobab
Flesh of this soil
Blood of Congo brush elegant
As breast of dark cloud
Or milk flowing through the groaning yearsWe also know
Centuries with the taste
Of white shit down to the spine…The choice is ours
So is the life
The music of our laughter reborn
Tyityimba or boogaloo passion
Of the sun-eyed gods of our blood
Laughs in the nighttime, in the daytime too
And across America vicious cities
Clatter to the ground. Was it notAll written by the gods!
Turn the things! I said
Let them things roll
To the rhythm of our movement
Don’t you know this is a love supreme!
John Coltrane  John Coltrane tell the ancestors
We listened we heard your message
Tell them you gave us tracks to move

Trane and now we know
The choice is ours
So is the mind and the matches too
The choice is ours

So is the beginning
‘We were not made eternally to weep’
The choice is ours
So is the need and the want too
The choice is ours
So is the vision of the day