Childhood…if you’re Black, Nikki Giovanni #poem #BlackLivesMatter

Nikki-Rosa by Nikki Giovanni

childhood remembrances are always a drag
if you’re Black
you always remember things like living in Woodlawn  
with no inside toilet
and if you become famous or something
they never talk about how happy you were to have
your mother
all to yourself and
how good the water felt when you got your bath
from one of those
big tubs that folk in chicago barbecue in
and somehow when you talk about home
it never gets across how much you
understood their feelings
as the whole family attended meetings about Hollydale
and even though you remember
your biographers never understand
your father’s pain as he sells his stock
and another dream goes
And though you’re poor it isn’t poverty that
concerns you
and though they fought a lot
it isn’t your father’s drinking that makes any difference
but only that everybody is together and you
and your sister have happy birthdays and very good
Christmases
and I really hope no white person ever has cause
to write about me
because they never understand
Black love is Black wealth and they’ll
probably talk about my hard childhood
and never understand that
all the while I was quite happy

Black History Month. From Arnold Rampersad, the Oxford Anthology of African-American Poetry.

Little Man, Komunyakaa #poem #child #BlackLivesMatter

Family. Community. I like this poem because they are all together and it looks like they are often together. The great-great grandmother loves the child so much, her physical hurts go unnoticed for awhile. He distracts her so much that the pain of loss, the faces of those she lost are not taking over her whole sky.

Coffee is sharp. And milk has a lot of sugar in it. It takes the edge off of coffee like sugar cubes do. You can’t forget the pain if it runs deep, but distraction is a healthy way of forgetting it for a while.

The child is enchanting all the women. And I guess the father would like to do the same. His way may have been the trumpet. Does he not play trumpet any more? He would feel that he could not hold the women’s attention if that was all he had. If his grandmother wakes up every night, he might be the one sent out to look for the burglar. Maybe he is tired and he wishes he could be the distraction for her, take her attention and his wife’s attention. I guess some fathers are jealous of their children. Or maybe he is just tired and his trumpet is on his lap.

LITTLE MAN AROUND THE HOUSE
Yusef Komunyakaa

Mama Elsie’s ninety now.
She calls you whippersnapper.
When you two laugh, her rheumatism
Slips out the window like the burglar
She hears nightly. Three husbands
& an only son dead, she says
I’ll always be a daddy’s girl.
Sometimes I can’t get Papa’s face
Outta my head. But this boy, my great-
Great-grandson, he’s sugar in my coffee. 

You look up from your toy
Telescope, with Satchmo’s eyes,
As if I’d put a horn to your lips.
You love maps of buried treasure,
Praying Mantis, & Public Enemy…
Blessed. For a moment I am jealous.
You sit like the king of trumpet
Between my grandmama & wife,
Youngblood, a Cheshire cat
Hoodooing two birds at once.

Black Poet, White Critic #BlackLivesMatter #poem Dudley Randall

Black Poet, White Critic

A critic advises
not to write on controversial subjects
like freedom or murder,
but to treat universal themes
and timeless symbols
like the white unicorn.

A white unicorn?

.

Dudley Randall

George

When I was a child desiring the title of grown-up
And toiling to earn it
In the inferno of the foundry knockout
I watched and admired you working by my side’
As, goggled, with mask on your mouth and shoulders bright
. with sweat,
You mastered the monstrous, lumpish cylinder blocks,
And when they clotted the line and plunged to the floor
With force enough to tear your foot in two,
You calmly stepped aside.

One day when the line broke down and the blocks clogged up
Groaning, grinding, and mounted like an ocean wave
And then rushed thundering down like an avalanche,
And we frantically dodged, then placed our heads together
To form an arch to lift and stack them,
You gave me your highest accolade:
You said, ‘You’re not afraid of sweat. You’re strong as a mule.’

Now, here, in the hospital,
In a ward where old men wait to die,
You sit, and watch time go by.
You cannot read the books I bring, not even
Those that are only picture books,
As you sit among the senile wrecks,
The psychopaths, the incontinent.

One day when you fell from your chair and stared at the air
With the look of fright which sight of death inspires,
I lifted you like a cylinder block, and said,
‘Don’t be afraid
Of a little fall, for you’ll be here
A long time yet, because you’re strong as a mule.’

From: Contemporary American Poetry edited by Donald Hall

Buy from Indie bookstores at abebooks.com here

Satchell Paige #BlackLiberationMonth #poem #BlackExcellence Baseball Gd!

Satchell Paige was one of the best pitchers in baseball. Black.

Sometimes I feel like I will *never* stop
Just go on forever
Til one fine mornin’
I’m gonna reach up and grab me a handful stars
Swing out my long lean leg
And whip three hot strikes burnin’ down the heavens
And look over at God and say
How about that!

by Samuel Allen
Black History Month.

Everett Hoagland it matters only that there is black power in your loving #BlackLivesMatter #poem

honeystain…
the rhetoricians of blackness
matters me not
we are black
and you are beautiful

it matters me not whether
your breast are American pumpkin or
African gourds
they are full and you are beautiful

it matters me not be your belly
black or brown
it is soft and you are beautiful

it matters me not be your buttocks
bourgeois or “grass roots”
they are good
and you are beautiful

it matters me not if your bread loaf
thighs are Negro or Afro-American
they are round and so ripe
and you are so beautiful

it matters not whether it is
Victoria falls within your orgasms
instead of Niagara

there is little definition I need
indeed
it matters only that there is
black power
in your loving

this I know
you are beautiful
you are beautiful beyond reference
you are the night interpreted
you are
you…

Everett Hoagland ‘the Anti-Semanticist’

Black History Month

our Black bodies/ blending with this night A.X. Nicholas #poem #BlackLiberationMonth #sex

zp_audre-lorde-in-berlin_1984_photograph-c2a9-dagmar-schultz

1.
Strange
.             that we wake
in the center of the night/
.             the naked image-of-ourselves
locked black & beautifully together on this bed.

2.
The sand & miles-of-water
before us/
.              our Black bodies
blending with this night/
.              the far city
floating (How strange!) in this sky.

3.
Strange
.              how your thighs
tremble like the tomtom-of-drums in the night/
.               opening/closing
hot & dark as Africa round my waist.

 

From The Oxford Anthology of African-American Poetry.
NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
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Give it a chance to seek the sunlight for itself #poem #BlackLivesMatter #BlackWomanMagic

Maya Angelou Walking Along Beach

Woman with Flower
Naomi Long Madgett

I wouldn’t coax the plant if I were you.
Such watchful nurturing may do it harm.
Let the soil rest from so much digging
And wait until it’s dry before you water it.
The leaf’s inclined to find its own direction;
Give it a chance to seek the sunlight for itself.

Much growth is stunted by too careful prodding,
Too eager tenderness.
The things we love we have to learn to leave alone.

The Oxford Anthology of African-American Poetry

 

Great Amazon of God behold your bread #poem #blacklivesmatter #malcolmx #blackfuturemonth

Two stanzas from two different poems For Malcolm X and For Mary McLeod Bethune.

Margaret Walker is an incredibly influential writer. She is a poet whose work is fresh and powerful in its conscious pride, its longing, vehement prayers and its direct broken hearted-ness.

From the Poetryfoundation:
“Walker’s first novel, Jubilee, is notable for being “the first truly historical black American novel,” reported Washington Post contributor Crispin Y. Campbell.

It was also the first work by a black writer to speak out for the liberation of the black woman.

The cornerstones of a literature that affirms the African folk roots of black American life, these two books have also been called visionary for looking toward a new cultural unity for black Americans that will be built on that foundation.”

For Mary McLeod Bethune

Believing in the people who are free,
who walk uplifted in an honest way,
you look at last upon another day
that you have fought with God and women to see.
Great Amazon of God behold your bread.
We walk with you and we are comforted.

 

For Malcolm X

Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?

 

Full poems:

For Mary McLeod Bethune

Great Amazon of God behold your bread
washed home again from many distant seas.
The cup of life you lift contains no less,
no bitterness to mock you. In its stead
this sparkling chalice many souls has fed,
and broken hearted people on their knees
lift up their eyes and suddenly they seize
on living faith, and they are comforted.

Believing in the people who are free,
who walk uplifted in an honest way,
you look at last upon another day
that you have fought with God and men to see.
Great Amazon of God behold your bread.
We walk with you and we are comforted.

—margaret walker, mary mcleod bethune.

 

For Malcolm X

BY MARGARET WALKER

All you violated ones with gentle hearts;
You violent dreamers whose cries shout heartbreak;
Whose voices echo clamors of our cool capers,
And whose black faces have hollowed pits for eyes.
All you gambling sons and hooked children and bowery bums
Hating white devils and black bourgeoisie,
Thumbing your noses at your burning red suns,
Gather round this coffin and mourn your dying swan.
Snow-white moslem head-dress around a dead black face!
Beautiful were your sand-papering words against our skins!
Our blood and water pour from your flowing wounds.
You have cut open our breasts and dug scalpels in our brains.
When and Where will another come to take your holy place?
Old man mumbling in his dotage, crying child, unborn?
More from Poetry foundation:
“Walker’s volume of poetry Prophets for a New Day was published in 1970. She called Prophets for a New Day her civil rights poems…Walker begins the volume with two poems in which the speakers are young children;
one eight-year-old demonstrator eagerly waits to be arrested with her group in the fight for equality, and a second one
is already jailed and wants no bail.
Her point is that these young girls are just as much prophets for a new day as were Nat Turner, Gabriel Prosser, Denmark Vesey, Toussaint L’Ouverture, and John Brown.”

She demands to see mine and momentarily we’re a lopsided star #BlackLivesMatter #poem #iNeedFeminismBecause

Because The Oxford Anthology of African American Poetry is one of the best, most satisfying, fat books of poetry I have, you should go buy it too. Poets get paid and editors get paid and we get more poesie. This leads to joy.

NEW and USED: Abebooks.com The Oxford Anthology of African-American Poetry
NEW at independent bookstores: http://www.indiebound.org/book/9780195125634

 

After Reading Mickey In The Night Kitchen for the Third Time Before Bed 
Rita Dove

I’m the milk and the milk’s in me!… I’m Mickey!

My daughter spreads her legs
to find her vagina:
hairless, this mistaken
bit of nomenclature
is what a stranger cannot touch
without her yelling. She demands
to see mine and momentarily
we’re a lopsided star
among the spilled toys,
my prodigious scallops
exposed to her neat cameo.

And yet the same glazed
tunnel, layered sequences.
She is three; that makes this
innocent. We’re pink! 
she shrieks, and bounds off.

Every month she wants
to know where it hurts
and what the wrinkled string means
between my legs. This is good blood
I say, but that’s wrong, too.
How to tell her that it’s what makes us —
black mother, cream child.
That we’re in the pink
and the pink’s in us.

el Jones I have a hard time seeing #BlackLivesMatter #poem

White space between pockets of lines are mine, so I (and others) can read it easier.

I have a hard time seeing justice as a reserve without a well
But then we bring its children a smudge kit in their cell

Don’t we wonder what will happen when there’s foster kids living in hotels
Or black children in the principal’s office 5 minutes past the bell
Because they never learned to read and they fell between the gaps
We start with zero tolerance by the time they’re done taking naps

Is it justice when some people start the race ahead by laps
In a country where we can’t even guarantee clean water from the taps
And there’s indigenous land under every prison on the map
And as you move up from minimum to medium to max
It’s a funny thing in Canada how the skin just gets more black

And that lack of access to parole that is kind of like a tax
A couple years of extra sentence that they tack on to our backs
And there’s those weapons laws they pass that they claim are for the gangs
While there’s white supremacists in prisons with KKK upon their hands
And there’s guards who give them daps

And the police can gun down teenagers and never hit the stand
I won’t even get into asking why we never charge the banks
But should anyone be sent to where they have to carry shanks

Eljoneslyrics.wordpress.com

 

————————————————————

Full poem
I know a man who stabbed a man inside and got sent off to the SHU
But he says when somebody comes after you then what else do you do
I don’t believe that he’s a monster but that’s what the system say
And now he’s doing double life and might not see the light of day
And when you’re 15 and your family teaches you to sell crack
Well is there any coming back so you grow to manhood in the max
And we define entire lives by a person’s worst acts
So we just list their various crimes and believe we have the facts
So here’s another story of another lost defendant
He’s 20 years old and he’s 8 years into his sentence
Brought over to the prison from juvenile detention
Sometimes children in this country they just don’t deserve a mention
Until they commit a crime and then suddenly we pay attention
There are people in society we label as disposable
When you’re already doing time shouldn’t be the first time you’re diagnosable
And so we put them in a prison where at least they are controllable
And I suppose it isn’t notable and no one gets emotional
Unless we find out they are innocent then maybe humanity’s negotiable
But for the rest, you did the crime so your humanity’s ignored
And men are in so long they don’t know how to use a door
And men are in so long they’ve never heard of internet explorer
That’s what happens when you’re black when you’re indigenous and poor
When you’re considered to be a criminal before you’re even born
I get an incoherent call at 3 o clock in the morning.
The same guy who called me crying to report he was assaulted
He says he’s locked up in his room surrounded by guns and knives
If they come to take him back it’s either his or their lives
He says ever since he left the prison he’s been numbing with a high
But people say to close his mouth because it doesn’t happen to real guys
I suppose it’s ironic he’s from the same reserve as Donald Marshall
So it seems to me that justice there was only ever partial
When we look back at that case and say those 11 years were awful
But for everybody else the same suffering is lawful
I’ve heard so many tragic stories I could almost tick off a box
But still we call it justice when the prison doors are locked
We believe that punishment comes to the people who deserve it
But punishment mostly comes to the people who can’t swerve it
Can’t avoid it, can’t employ it, can’t voice it, can’t afford it
And then once you go to prison whatever happens can’t report it
If you can’t write how can you file Roebothams or habeus corpus
So we talk about wrongful but where are the rightful convictions?
Sure there’s Paul Bernardo, Clifford Olson, Robert Picton
But what about the man on his 50th charge of shoplifting
When it’s obvious to everyone the problem is addiction
And the truth and reconciliation commission can only be a fiction
As long as indigenous people out west are still filling up the prisons
I have a hard time seeing justice as a reserve without a well
But then we bring its children a smudge kit in their cell
Don’t we wonder what will happen when there’s foster kids living in hotels
Or black children in the principal’s office 5 minutes past the bell
Because they never learned to read and they fell between the gaps
We start with zero tolerance by the time they’re done taking naps
Is it justice when some people start the race ahead by laps
In a country where we can’t even guarantee clean water from the taps
And there’s indigenous land under every prison on the map
And as you move up from minimum to medium to max
It’s a funny thing in Canada how the skin just gets more black
And that lack of access to parole that is kind of like a tax
A couple years of extra sentence that they tack on to our backs
And there’s those weapons laws they pass that they claim are for the gangs
While there’s white supremacists in prisons with KKK upon their hands
And there’s guards who give them daps
And the police can gun down teenagers and never hit the stand
I won’t even get into asking why we never charge the banks
But should anyone be sent to where they have to carry shanks
I watch police roll into Ferguson with snipers riding tanks
I don’t think you have to not have done it for justice to be miscarried
When I’ve known men so long in prison that their babies now are married
Hell I’ve known men so long in prison that they first meet their son out on the range
And I don’t know that it is justice if we decide you can never change
And I don’t know that it’s justice when there’s men inside a cage
And I don’t know that it is justice if the scales will never budge
And men in prison with so much legal knowledge they could be a judge
And maybe they could have gone in that direction if they only got a nudge
And it’s true that I’ve known men who did a killing for a grudge
But does three seconds of your life make you only human sludge
And let’s not talk about the corporations that profit off it all
Like the predatory phone companies gouging prisoners for a call
Women going broke when their man’s conviction’s not their fault
I could talk about the scanners and how many hits are false
And how families are turned away after driving up for hours
Cause I dont know that it is justice when it’s so easy to abuse powers
I could talk to you for days and it would all be the same ruin
And I know men who did their time in prison with Assoun
And they’ll never be set free to share their voice in these rooms
And I know lawyers, guards and judges who do their best to change the tune
but in a society that’s broken it’s like reaching for the moon
And I confess I once believed that every person could be saved
And then it took a couple of years and it’s true that I got played
And I had to face that there’s some people who seem to always dig a grave
But I still don’t believe that they deserve solitary just because they misbehaved
And I still believe we can do better and that we have to find a way
And I’d still rather know I tried even if it means I failed
Because it will never be justice while the our solution still is jail
So from people doing time in Kent down to people in Renous
From people in the county up to people in the SHU
If that was your life story, what do you think you’d do?

 

 

 

 

 

Aunt her face a blur of wrinkles & sunshine #poem #BlackLivesMatter by Al Young

Aunt

Image

BY AL YOUNG

She talks too loud, her face
a blur of wrinkles & sunshine
where her hard hair shivers
from laughter like a pine tree
stiff with oil & hotcombing
O & her anger realer than gasoline
slung into fire or lighted mohair
She’s a clothes lover from way back
but her body’s too big to be chic
or on cue so she wear what she want
People just gotta stand back &
take it like they do Easter Sunday when
the rainbow she travels is dry-cleaned
She laughs more than ever in spring
stomping the downtowns, Saturday past
work, looking into JC Penney’s checking
out Sears & bragging about how when she
feel like it she gon lose weight &
give up smoking one of these sorry days
Her eyes are diamonds of pure dark space
& the air flying out of them as you look
close is only the essence of living
to tell, a full-length woman, an aunt
brown & red with stalking the years

Al Young, “Aunt” from The Blues Don’t Change. Copyright © 1982 by Al Young.  Reprinted by permission of Louisiana State University Press.

Source: The Blues Don’t Change (Louisiana State University Press, 1982)

#BlackLivesMatter #poem “You is kind,” she say, “you is smart. You is important.”

Last page of The Help.

 

And then she say it, just like I need her to. “You is kind,” she say, “you is smart. You is important.”

But at the same time feeling, in a way, that I’m free, like Minny. Freer than Miss Leefolt, who so locked up in her own head she don’t recognize herself when she read it…

I head down the hot sidewalk at eight thirty in the morning wondering what I’m on do with the rest a my day. The rest a my life. I am shaking and crying and a white lady walk by frowning at me. The paper gone pay me ten dolars a week, there’s the book money plus a little more coming. Still it ain’t enough for me to the rest a my life on…

The sun is bright but my eyes wide open. I stand at the bus stop like I been doing for forty-odd years. In thirty minutes, my whole life’s …done. Maybe I ought to keep writing, not just for the paper, but something else, about all the people I know and the things I seen and done. Maybe I ain’t too old to start over, I think and I laugh and cry at the same time at this. Cause just last night I thought I was finished with everything new.

Like a prince, a jazz prince. And I love Your eyes flashing #BlackHistoryMonth #poem

Poem
by Helene Johnson

Little brown boy,
Slim, dark, big-eyed,
Crooning love songs to your banjo
Down at the Lafayette–
Gee, boy, I love the way you hold your head,
High sort of and a bit to one side,
Like a prince, a jazz prince.   And I love
Your eyes flashing, and your hands,
And your patent-leathered feet,
And your shoulders jerking the jig-wa.
And I love your teeth flashing,
And the way your hair shines in the spotlight
Like it was the real stuff.
Gee, brown boy, I loves you all over.
I’m glad I’m a jig. I’m glad I can
Understand your dancin’ and your
Singin’, and feel all the happiness
And joy and don’t care in you.
Gee, boy, when you sing, I can close my ears
And hear tom-toms just as plain.
Listen to me, will you, what do I know
About tom-toms? But I like the word, sort of,
Don’t you? It belongs to us.
Gee, boy, I love the way you hold your head,
And the way you sing, and dance,
And everything.
Say, I think you’re wonderful.    You’re
Allright with me,
You are.

#Blacklivesmatter #Harlem Baby Cobina by Gladys May Casely Hayford

 

laluah

Baby Cobina

Brown Baby Cobina, with his large black velvet eyes,
His little coos of ecstacies, his gurgling of surprise,
With brass bells on his ankles, that laugh where’er he goes,
It’s so rare for bells to tinkle, above brown dimpled toes.

Brown Baby Cobina is so precious that we fear
Something might come and steal him, when we grown-ups are not near;
So we tied bells on his ankles, and kissed on them this charm —
” Bells, guard our Baby Cobina from all devils and all harm. ”

Gladys May Casely Hayford (Aquah LaLuah)

From: “Caroling Dusk: an Anthology of Verse by Black Poets.” Edited by Countee Cullen.

NEW and USED: Abebooks.com Caroling Dusk
NEW at independent bookstores NEAR you: Caroling Dusk

Other reading:

Wall, Cheryl. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.