When you have forgotten Sunday. Gwendolyn Brooks.

—And when you have forgotten the bright bedclothes on a Wednesday and a Saturday,
And most especially when you have forgotten Sunday—
When you have forgotten Sunday halves in bed,
Or me sitting on the front-room radiator in the limping afternoon
Looking off down the long street
To nowhere,
Hugged by my plain old wrapper of no-expectation
And nothing-I-have-to-do and I’m-happy-why?
And if-Monday-never-had-to-come—
When you have forgotten that, I say,
And how you swore, if somebody beeped the bell,
And how my heart played hopscotch if the telephone rang;
And how we finally went in to Sunday dinner,
That is to say, went across the front room floor to the ink-spotted table in the southwest corner
To Sunday dinner, which was always chicken and noodles
Or chicken and rice
And salad and rye bread and tea
And chocolate chip cookies—
I say, when you have forgotten that,
When you have forgotten my little presentiment
That the war would be over before they got to you;
And how we finally undressed and whipped out the light and flowed into bed,
And lay loose-limbed for a moment in the week-end
Bright bedclothes,
Then gently folded into each other—
When you have, I say, forgotten all that,
Then you may tell,
Then I may believe
You have forgotten me well.

Aside

Lovely spring poem by Emily Dickinson.

VI. THE ROBIN.

The robin is the one
That interrupts the morn
With hurried, few, express reports
When March is scarcely on.

The robin is the one
That overflows the noon
With her cherubic quantity,
An April but begun.

The robin is the one
That speechless from her nest
Submits that home and certainty
And sanctity are best.

How Things Work. Gary Soto.

Aside

The welfare state… this is such a beautiful idea. The welfare of us all, fare thee well, and if forever, still forever fare thee well. The mother explains how we keep each other rolling by buying bread, a softball, coffee and rosin from our neighbour; an act that means the other is able to buy something they need. No trickle down nonsense where rich folk hoard their hundreds of thousands, millions and steal from the working people through wages that are far lower than the work is worth. Wage theft. In this poem without preaching Soto shows how people keep the neighbourhood alive and kicking, how people set up their local economy and how varied their buying is: softball, book, broom, movie ticket and crayons. And chicken. Hmmm, chicken.

How Things Work

BY GARY SOTO

Today it’s going to cost us twenty dollars
To live. Five for a softball. Four for a book,
A handful of ones for coffee and two sweet rolls,
Bus fare, rosin for your mother’s violin.
We’re completing our task. The tip I left
For the waitress filters down
Like rain, wetting the new roots of a child
Perhaps, a belligerent cat that won’t let go
Of a balled sock until there’s chicken to eat.
As far as I can tell, daughter, it works like this:
You buy bread from a grocery, a bag of apples
From a fruit stand, and what coins
Are passed on helps others buy pencils, glue,
Tickets to a movie in which laughter
Is thrown into their faces.
If we buy a goldfish, someone tries on a hat.
If we buy crayons, someone walks home with a broom.
A tip, a small purchase here and there,
And things just keep going. I guess.

William Carlos Williams.

so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens

Night leans lightly against the house!

 I love to be called for dinner. 
Spot goes out and I go in and the lights
in the kitchen go on and the dark,

which also has a body like a cloud’s,
leans lightly against the house.

William Matthews

Robert Louis Stevenson on the moon!

Robert Louis Stevenson on the moon:

THE MOON has a face like the clock in the hall;
She shines on thieves on the garden wall,
On streets and fields and harbour quays,
And birdies asleep in the forks of the trees.

All about chickens- I

Chicken Pig
BY JENNIFER MICHAEL HECHT
It’s like being lost
in the forest, hungry, with a
plump live chicken in your cradling
arms: you want to savage the bird,
but you also want the eggs.

You go weak on your legs.
What’s worse, what you need
most is the companionship,
but you’re too hungry to know that.
That is something you only know after
you’ve been lost a lot and always,

eventually, alit upon
your bird; consumed her
before you’d realized what
a friend she’d been, letting you
sleep-in late on the forest floor
though she herself awoke
at the moment of dawn

and thought of long-lost
rooster voices quaking
the golden straw. She
looks over at you, sleeping,
and what can I tell you, she loves
you, but like a friend.

Eventually, when lost
in a forest with a friendly chicken
you make a point of emerging
from the woods together,
triumphant; her, fat with bugs,
you, lean with berries.

Still, while you yet wander,
you can not resist telling her
your joke:

Guy sees a pig with three legs,
asks the farmer, What gives?
Farmer says, That pig woke
my family from a fire, got us all out.
Says the guy, And lost the leg thereby?
Nope, says the farmer,
Still had all four when he took
a bullet for me when I had
my little struggle with the law.
Guy nods, So that’s where
he lost his paw? Farmer shakes
it off, says, Nah, we fixed him up.
A pause, guy says, So how’d he lose
the leg? Farmer says, Well, hell,
a pig like that
you don’t eat all at once.

Chicken squints. Doesn’t think
it’s funny.

Awake in a giant night… is where I am, Anne Waldman

Awake in a giant night
is where I am

Anne Waldman

 

More brilliant bits in that poem:

I look out the window, there is night
I sit in this lighted room knowing this night 

Night! Night! I wish you’d go so I could go
to the post office, the bank, the supermarket

Why aren’t they open at night? I wonder 
Then realize I’m not the only person who’s 
considered in the grand scope of daily living.

Nikki Giovanni ”The Butterfly- hat tip Kim Crosby.

Image

“those things
which yo so laughingly call
hands are in fact two
brown butterflies fluttering
across the pleasure
they give my body”

.
— Nikki Giovanni ”The Butterfly

 

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Red is the color of a lot of lollipops, Bautiful Land, Nina Simone, Written by Anthony Newley, Leslie Bricusse

Red is the color of a lot of lollipops,
Orange is any orange on a tree.
Yellow’s the color of a bag of lemon drops,
Green is a piece of seaweed in the sea.

Blue is the color of the sky in summertime
Indigo is a siamese cat’s eyes.
Violet’s the color of a flow’r in wintertime.
These are the colors of the rainbow skies.

There is a beautiful land
Where all your dreams come true;
It’s all tied up in a rainbow,
All shiny and new;
But it’s not easy to find
No matter what you do.

It’s not on top of a mountain
Or beneath the deep blue sea
Or in london zoo or in timbuktoo,
Or in timbuckthree.

And if you travelled the world
From china to peru,
There’s no beautiful land on the chart.
An explorer could not begin
To discover it’s origin
For the beautiful land is in your heart.

Beautiful land by Nina Simone
Written by Anthony Newley, Leslie Bricusse

Dignity in death and life with help of your doctor.

To a life happily lived and with great strength. For my sweet friend and her wife, her best friend, her beloved.

Unable are the Loved to die
For Love is Immortality.

Emily Dickinson.

 

— Woman, bisexual, poet, white, affluent, introvert.

Walt Whitman- queer white man on Bumble Bees. Can you even imagine swarms of thousands of them bumbles?!

Walt Whitman was against slavery but held “the widespread opinion that even free African-Americans should not vote.” He believed all religions to be equally important. He was a supporter of temperance, the movement to set limits to drinking alcohol. White, lower middle class, I think.

Walt Whitman, diary entry on Bumble-Bees.

MAY-MONTH… I am out just after sunrise, and down towards the creek.

The lights, perfumes, melodies—the blue birds, grass birds and robins, in every direction—
For undertones, a neighboring wood-pecker tapping his tree, and the distant clarion of chanticleer.
Then the fresh earth smells—the colors, the delicate drabs and thin blues of the perspective. The bright green of the grass has receiv’d an added tinge from the last two days’ mildness and moisture.

Later.— But for the last two days it has been the great wild bee, the humble-bee, or “bumble,” as the children call him. As I walk, or hobble, from the farm-house down to the creek, I traverse the before-mention’d lane, fenced by old rails, with many splits, splinters, breaks, holes, &c., … Up and down and by and between these rails, they swarm and dart and fly in countless myriads.

As I wend slowly along, I am often accompanied with a moving cloud of them. They play a leading part in my morning, midday or sunset rambles, and often dominate the landscape in a way I never before thought of—fill the long lane, not by scores or hundreds only, but by thousands.
Large and vivacious and swift, with wonderful momentum and a loud swelling perpetual hum, varied now and then by something almost like a shriek, they dart to and fro, in rapid flashes, chasing each other, …

As I write, I am seated under a big wild-cherry tree—the warm day temper’d by partial clouds and a fresh breeze, neither too heavy nor light—and here I sit long and long, envelop’d in the deep musical drone of these bees, flitting, balancing, darting to and fro about me by hundreds—big fellows with light yellow jackets, great glistening swelling bodies, stumpy heads and gauzy wings—humming their perpetual rich mellow boom.

How it all nourishes, lulls me, in the way most needed; the open air, the rye-fields, the apple orchards…

…my spirit at peace. (Yet the anniversary of the saddest loss and sorrow of my life is close at hand.)

Almost every bird I notice has a special time in the year—sometimes limited to a few days—when it sings its best; and now is the period of these russet-backs.