Tag Archives: black lives matter

LITTLE MAN AROUND THE HOUSE, Yusef Komunyakaa. Black History Month- poetry.

Posted on by
Reply
Image
LITTLE MAN AROUND THE HOUSE
Mama Elsie’s ninety now.
She calls you whippersnapper.
When you two laugh, her rheumatism
Slips out the window like the burglar
She hears nightly. Three husbands
& an only son dead, she says
I’ll always be a daddy’s girl.
Sometimes I can’t get Papa’s face
Outta my head. But this boy, my great-
Great-grandson, he’s sugar in my coffee.
You look up from your toy
Telescope, with Satchmo’s eyes,
As if I’d put a horn to your lips.
You love maps of buried treasure,
Praying Mantis, & Public Enemy…
Blessed. For a moment I am jealous.
You sit like the king of trumpet
Between my grandmama & wife,
Youngblood, a Cheshire cat
Hoodooing two birds at once.

I know why the caged bird sings. Paul Dunbar and Maya Angelou.

Aside

paul_laurence_dunbar_1 600full-maya-angelou

I know why the caged bird sings”. A line by Paul Dunbar that inspired Maya Angelou.

Sympathy

by Paul Laurence Dunbar

I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals—
I know what the caged bird feels!

I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting—
I know why he beats his wing!

I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore,—
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart’s deep core,
But a plea, that upward to Heaven he flings—
I know why the caged bird sings!

The above poem was published in Lyrics of the Hearthside by Dodd, Mead and Company in 1899.
~~
This is the poem that inspired Maya Angelou’s poem.

© Paul Laurence Dunbar. All rights reserved

 

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

Maya Angelou

ONE FOR ALL NEWBORNS By Thylias Moss

Posted on by
Reply

ONE FOR ALL NEWBORNS
By Thylias Moss

They kick and flail like crabs on their backs.
Parents outside the nursery window do not believe
they might raise assassins or thieves, at the very worst.
a poet or obscure jazz Musician whose politics
spill loudly from his horn.
Everything about it was wonderful, the method
of conception, the gestation, the womb opening
in perfect analogy to the mind’s expansion.

[…]

Thylias Moss: God and Church and beautiful, laughing speech!!

Posted on by
Reply

Woohoo!

‘Contemporary Black American poets’ came in the post.
From New Orleans Public Library- Algiers Point. They got it in 1995.

Here is one funny piece of a poem from Thylias Moss.
((TRIGGER warning-sexual assault/rape.))

Moss had “beautiful, laughing speech” – like Yeats said of Blake’s says Harold Bloom.

“Doubts during Catastrophe.”

“No better time to recall God’s fascination
with his image. He put something of himself
in every creation. When he was tired
he made lazy idiots. When he had hiccups
he made tumbleweeds. When he needed a twin
he made Adam. And whenever he needed to
he watched Adam seduce Eve. And when once Eve refused
God’s eyebrows raised , merged and flew off, a caracara
seeking carrion. And then there was wrath. ‘Vengeance
is mine’ he said. And then there was his seduction
of Mary who had to submit, could not disobey the Lord.”

Harold Bloom comments:

“”Here the black congregation exemplifies the saddest truth that this poetic visionary intuits about her people’s intense resort to faith:

“Our shouting, our jubilation scares the ominous into
crouching behind our ribs where it intercepts what
would best serve us if it reached our hearts.”

That is so bleak an intimation that only masterly language saves it from being unbearable as a truth.””

 

Nikki Giovanni ”The Butterfly- hat tip Kim Crosby.

Image

Reply

“those things
which yo so laughingly call
hands are in fact two
brown butterflies fluttering
across the pleasure
they give my body”

.
— Nikki Giovanni ”The Butterfly

 

.

.

NEW and USED: http://www.abebooks.com/servlet/SearchResults?an=nikki+giovanni&sts=t

http://kimkatrincrosby.squarespace.com

Die Kind (wat doodgeskiet is deur soldate by Nyanga) as read by Nelson Mandela in 1994.

Posted on by
Reply

In 1994 Nelson Mandela read anti-apartheid’s poet Ingrid Jonker’s poem out aloud during his address at the opening of the first democratic parliament.
She was one of my dad’s favourite poets and he read us her work in ‘t Afrikaans when we were kids. The English translation, slightly changed by me, is at the bottom.

Die kind is nie dood nie
die kind lig sy vuiste teen sy moeder
wat Afrika skreeu skreeu die geur
van vryheid en heide
in die lokasies van die omsingelde hart

Die kind lig sy vuiste teen sy vader
in die optog van die generasies
wat Afrika skreeu skreeu die geur
van geregtigheid en bloed
in die strate van sy gewapende trots

Die kind is nie dood nie
nòg by Langa nòg by Nyanga
nòg by Orlando nòg by Sharpville
nòg by die polisiestasie in Philippi
waar hy lê met ‘n koeël deur sy kop

Die kind is die skaduwee van die soldate
op wag met gewere sarasene en knuppels
die kind is teenwoordig by alle vergaderings en wetgewings
die kind loer deur die vensters van huise en in die harte
van moeders
die kind wat net wou speel in die son by Nyanga is orals
die kind wat ‘n man geword het trek deur die ganse Afrika
die kind wat ‘n reus geword het reis deur die hele wêreld

Sonder ‘n pas

.
Maart 1960

The child is not dead no
The child waves his fists at his mother
Who shouts Afrika shouts the scent
Of freedom and of heather
In the spaces of the beleaguered heart

The child waves his fists at his father
in the march of generations
who shouts Afrika shouts the breath
of justice and blood
in the streets of his ferocious dignity

The child is not dead no
not at Langa nor at Nyanga
not at Orlando nor at Sharpeville
nor at the police station at Philippi
where he lies with a bullet through his head

The child is the shadow of the soldiers
on guard with rifles armoured cars and batons
the child is present at all assemblies and treaties
the child peers through the windows of houses and into the hearts
of mothers
this child who just wanted to go play in the sun at Nyanga is everywhere
the child grown to a man treks through all Africa
the child grown into a giant journeys through the whole world

Without a pass

.
March 1960

Anti-apartheid poet Antjie Krog. When Mandela was still behind bars.

Posted on by
Reply

Anti-apartheid poet Antjie Krog as high school student wrote a famous poem that caused great commotion at the time:

Loosely translated by myself.

Look, I will build me a land
Where skin doesn’t matter not at all…
Just your mind and mine
Where no goat face in the halls of parliament
can never not ever spook to keep things
permanently
cramped
[…[
where black and white, hand on hand
may bring peace and love
to my beautiful land.

Kyk, ek bou vir my ‘n land

Kyk, ek bou vir my ‘n land
Waar ‘n vel niks tel nie,
Net jou verstand.
Waar geen bokgesig in ’n parlement
kan spook om dinge permanent
verkramp te hou nie.
Waar ek jou kan liefhê
langs jou in die gras kan lê
sonder om in ’n kerk ‘ja’ te sê.
Waar ons snags met kitare sing
en vir mekaar wit jasmyne bring.
Waar ek jou nie gif hoef te voer
as ’n vreemde duif in my hare koer.
Waar geen skeihof
my kinders se oë sal verdof.
Waar swart en wit hand aan hand
vrede en liefde kan bring
in my mooi land.

– Poet Ross Gay in an extraordinary essay in The Sun (sez Lillian Allen).

Posted on by
Reply

Feels like some kind of poetry!

“What if we acknowledged the drug war, and the resulting mass incarceration of African Americans, and the myriad intermediate crimes against citizens and communities as a product of our fears? And what if we thereby had to reevaluate our sense of justice and the laws and procedures and beliefs that constitute it? What if we honestly assessed what we have come to believe about ourselves and each other, and how those beliefs shape our lives? And what if we did it with generosity and forgiveness? What if we did it with mercy?”

– Poet Ross Gay in an extraordinary essay in The Sun (Lillian Allen).

Joel Dias-Porter, “I did not write this poem– in anger”

Posted on by
Reply

I did not write this poem
in anger,
I did not write this poem
in “Self-Defense.”
I did not write this poem.
Because my pen is empty from
having already written & written this poem.
– Joel Dias-Porter

Link

From Black Girl Dangerous: donate at http://www.blackgirldangerous.org/donate/

Black* Transwoman to Black Cis/Transman: An Open Letter/Poem for Trayvon and the Rest of Us

07/14/13

By KOKUMO

ATTENTION WORLD:

I, LOVE, BLACK* MEN.

From the drug dealers, heart surgeons, stuck at rock bottom, ten years sober, servin’ a dime to life, ex-con turned youth-minister, trans*, gay, D.L., paraplegic, Olympic gold-medal winnin’, current U.S. presidency presidin’, illiterate, artistic, broke as a joke, ballin’, dark-skindid, light-skindid, country-bama, Brooklyn-bred, OG, GD, Rasta bombaclot, to the European transplant and etc.

And no matter how many Jim Crow laws you revise, nothin’ can change that. I grew up with black* men. I’ve fought with black* men. And black* men have fought, for me. Hell, I was supposed to be, a black*, man. I’ve been insulted by black* men. I’ve been consoled by black* men. I’ve been schooled, had my socks knocked off, and mind blown by black* men. I’ve loved black* men, and had the privilege of having them love me back.

Therefore I KNOW BETTER. Black* men are human. They come complete with contributions as well as flaws. And black* men have a seemingly generational immortal dream to live. Therefore I KNOW BETTER than to believe you when say they deserve to die. Therefore I KNOW BETTER than to believe your propaganda. Therefore, I won’t.

ATTENTION BLACK MEN:

Black* transwoman to black* cis/trans* man. I revere and respect you for living brave in a world that hunts you with hypocritical indignation. I thank you for living in the body I couldn’t and doing it with such swag, intellect, and a vengeance.

As a black* transwoman I want you to know that I never abandoned you or took the easy way out. A war was waged on black* bodies the moment the first slave touched Virginian soil in the 1600′s. So I transitioned from “male” to “female” because I just needed to be in more comfortable battle fatigues.

ATTENTION BLACK* COMMUNITIES:

Trayvon Martin was my little brother, Emmitt Till, my North Carolina sharecropper forefathers, and me before I transitioned. Young, black*, male-bodied, and trying to figure out why my body owes the world an apology. Black* communities across the world, please hear me. Before I knew what trans* meant, I knew how black* felt. Non-LGBT black* people I beg of you. Discard your fear and join forces with your LGBT black* siblings. Because everyday we lose more and more of our sons. Ase.

All work published on BGD is the intellectual property of its writers. Please do not republish anything from this site without express written permission from BGD. Yes, linking to this post on Facebook and Twitter or elsewhere is okay.

KOKUMỌ is an African-American transgender woman and product of Chicago’s South Side. To KOKUMỌ surviving is passé. Therefore, she believes in sanctioning artistic, political, and actual space for other Trans, Gender Non-Conforming, and Intersex (TGI) people of color to thrive in. In accordance to this belief and her name, she created KOKUMỌMEDIA. KOKUMỌMEDIA uses film, music, and literature to create and generate realistic depictions of TGI people of color.

SUPPORT BGD’s writers and help amplify the voices of queer and trans* people of color!

Follow us on Twitter: @blackgirldanger

Donate at http://www.blackgirldangerous.org/donate/